12/31/2014

Back to the Future 2 (1989) and how it envisioned 2015

Sigh! Back in 1989 when I first saw the movie Back to the Future, Part 2, the year 2015 seemed like such a long time off. Now it's here! Sigh!! 

Even though many of the future ideas are meant for laughs, it's still kind of amazing how much the filmmakers got right about what life would be like in 2015; some examples below. (Flying cars and hoverboards are still a way off, though!)




Flat-panel, widescreen televisions
Watching multiple channels simultaneously
Video conferencing
Employers monitoring employees
Playing video games without using controllers


Outdoor video advertising
Drone cameras 
Making a payment using fingerprint 
Fingerprint scanning
Plastic surgery craze
Robotic fueling systems


Point and shoot digital cameras
Face detection cameras
Voice recognition for electronics
Operating computers without push-keys
Wearable computer glasses
Mobile tablets

12/30/2014

Come Back, Little Sheba (1952)

Booth and Lancaster are both fascinating to watch;
they are both affected by the arrival of
their new tenant in different ways.
Burt Lancaster and Shirley Booth play a childless couple whose lives are changed after they rent out a room to a young, energetic college student played by Terry Moore.

Lancaster's character (a recovering alcoholic) sees the new tenant as a daughter-figure and becomes overly protective. When his emotions are stirred by her jock boyfriend (Richard Jaeckel) he thinks about going back to the bottle. For Booth, the young tenant's stay causes her to reflect upon the happiness of her youth.

The loss of her beloved dog Sheba years ago played a major factor in her loneliness.

Booth won the Oscar for Best Actress, and she is wonderful in the part as the simple-minded, long-suffering housewife, not unlike the TV character that Jean Stapleton played on the 1970s series All in the Family (as the Edith Bunker character).

In the beginning of the film, Lancaster attends a meeting of Alcoholics Anonymous, which is the first time a meeting of AA was depicted in a Hollywood film or mentioned by name  (source: Journal of Studies on Alcohol, Vol. 50, No. 4, 1989).

Also, Lancaster plays a chiropractor in the film; this may be one of the earliest references to the chiropractic profession in a Hollywood film (at least I'm not familiar with any chiropractors in the movies before this).

Directed by Daniel Mann (The Rose Tattoo, BUtterfield 8)

12/27/2014

The Right Stuff (1983)

The new sci-fi / space movie Interstellar has been one of the most talked-about films of the year; but if one stops to consider, there would be no Interstellar without the events depicted in 1983's The Right Stuff,  the true story of the space race and the first American astronauts, IE the "Mercury Seven".

The film spans about 20 years, from the late 1940s to the mid 1960s as we get to see how test pilots such as Alan Shepard (Scott Glenn) and Gus Grissom (Fred Ward) handle their new lives as astronauts.

In his Movie Guide, Leonard Maltin writes, "it is a long movie, but never boring" with "exhilarating moments". My favorite scene is when John Glenn (Ed Harris) first orbits the globe. It's an awesome moment in a great film about real heroes.

I love how each character becomes memorable in his or her own way, even the minor characters such as the military recruiters played by Jeff Goldblum and Harry Shearer.  Veronica Cartwright  has a small role but is very memorable as one of the test pilots' wives; in one scene she suffers a breakdown when she realizes she wont be able to meet President Kennedy and his wife.   Also excellent are Dennis Quaid, Barbara Hershey, Pamela Reed, Kim Stanley, Kathy Baker, and Sam Shepard as record-setting test pilot Chuck Yeager (1923 - ). Intelligently directed by Philip Kaufman.

The film earned Roger Ebert's and Gene Siskel's pick as the  #1 Film of 1983.

Read Roger Ebert's essay on The Right Stuff in his "Great Movies" series:
http://www.rogerebert.com/reviews/great-movie-the-right-stuff-1983

New on Blu Ray: Mr Smith Goes to Washington



12/11/2014

TCM Remembers 2014

The video eulogists over at TCM have done it again. And by "it", you know what I  mean.

This year's tribute seems a bit different than past years; I think they peppered in more "random" movie clips than usual.


11/24/2014

The Late George Apley (1947) starring Ronald Coleman

Thing thing to know before seeing this film is that it's a comedy of manners, satirizing the aristocracy of 1900 Boston in particular. It is based on a Pulizer Prize winning novel from 1938, and a stage play from 1944. Not having read the book or seen the play, I unfortunately can't comment on what was lost in translation.

Ronald Coleman plays a snob, and I found it difficult to like his character as well as the film. The story revolves mainly around Apley's ultra conservative ways, primarily his disapproval of his son and daughter who are both in love with non-Bostonians, which seems utterly absurd. Perhaps that's what's supposed to be funny about it.  One character says to him, "Stop apologizing for sex, George Apley...you didn't invent it! 

After a long talk with his more sensible brother-in-law Roger (Percy Warram) - the most memorable scene in my opinion - Apley eventually comes to accept his children's decisions and dreams  Before Apley's conversion, however, there is much drama between the father, son and daughter that seems to drag.

If the story is mainly about dealing with the changing times, I don't see why this film couldn't have been brought up to date with a modern twist.   There are some really impressive period sets and costumes, but the visuals are not ultimately what you'd want to takeaway from the film. It wasn't nominated for any Oscars, and I'm not surprised. Coleman did win for Best Actor that year, but for another film - A Double Life.

Not a bad film, just average. With Peggy Cummings, Mildred Natwick.

For another blogger's perspective about the film, check out the review here from Bobby Rivers' blog. I'd say he enjoyed the film more than I did!

97 min • 20th Century-Fox

Directed by Joseph L. Mankiewicz • 1947

11/23/2014

Plastic Galaxy: The Story of Star Wars Toys (2014)

I heard about this new documentary about Star Wars toys from the Now Playing podcast [details here], and immediately wanted to check it out. Like many of the people intereviewed for the documentary, I had a bunch of Star Wars action figures in the early 80s and spent hours playing with them and with my friends' collections. With those toys, I encountered my first experiences being envious and jealous: "how I wish I had that Ewok Village playset!", I remember thinking.  "The Millenium Falcon was so COOL!"  It seemed like an ENORMOUS toy - and my friend Aaron (who I envied) had it! I loved going over to my friend Aaron's -- he had almost every figure. And seeing many of those figures again in the film brought back lots of memories. I loved learning about the history of Kenner and their factories and the stories from the Kenner employees and toy designers. They show lots of early sketches and prototypes of toys that never were made. This is a really cool documentary to watch. The guys on the podcast talked about who they thought the target audience for the documentary is. In my opinion, I think you'll enjoy this film if:

1) You're a Star Wars fan

2) You had and played with the toys /action figures

3) You are a toy collector interested in learning more about the history of these collectibles.


Everyone else might be bored!

11/22/2014

Mockingjay, Part 1 (2014)

This new installment could be my new favorite of the series, reminding me of the some of the best war stories about resistance fighters.   Jennifer Lawrence, as Katniss, really impressed me in this one. I liked how she struggles with her new identity as the voice of the revolution, and how she has to accept that her life as she used to know is over. There were so many good parts; my favorite might be was when Katniss sings her blues song "Hanging Tree" and the rebels take it on as their anthem. Philip Seymour Hoffman was good in it too. The music by James Newton Howard is good.


11/20/2014

Mike Nichols' passing

Sad to hear that he passed. I wish I knew more about his early comedy work...I'd like to learn more about those days and seek out some old TV clips. And I'm also embarrassed to admit I haven't seen his most acclaimed film in its entirety: The Graduate. My favorite of his films: Working Girl. Least favorite: no explanation necessary:




RIP

11/09/2014

Maureen O'Hara receives Honorary Oscar

Yesterday, the Honorary Oscars were handed out at a ceremonial dinner in Hollywood, and one of the recipients was the legendary Maureen O'Hara, star of The Hunchback of Notre Dame, How Green Was My Valley, The Quiet Man, and other classics.



For more coverage and photos from yesterday's event here:

10/19/2014

Who's Afraid of Virginia Woolf? (1966)

This post is my contribution to Stage To Screen Blogathon hosted by The Rosebud Cinema and Rachel's Theatre Reviews. Click here for a list of all the participating blogs in the blogathon.

Like the two main characters in the story, I have a love-hate relationship with the movie (and play) Who's Afraid of Virginia Woolf? Yes, our relationship goes back about 25 years, about as long as the relationship between George (Richard Burton in the film)  and Martha (Liz Taylor in the film).

Over the course of 25 years I've seen the movie version several times and also have seen the play version twice, but to this day I'm still not certain I understand all that is going on with these characters.

Each time I see the film or play I gain a little more insight and see something I hadn't seen before, even though the experience is not always pleasant - both the play and film are DOWNERS!

ORIGINS OF THE PLAY AND MOVIE
The original play by Edward Albee opened in 1962, was highly acclaimed, and won several Tonys including Best Play.  The play was revived on Broadway in 2005 and 2010 and each production won Tonys.  The only movie version was made in 1966, directed by Mike Nichols. It too was also highly acclaimed: it was a box office smash and was nominated for an astonishing 13 Oscars, some of which are questionable (Best Sound? Best Score? Best Costumes?). But that's a topic for another blog post...

When I first became familiar with the movie and the stage play it was DEFINITELY NOT love at first sight, let me tell you.....

MY EXPERIENCE WITH THE MOVIE
I first watched the movie on late-night TV (and recorded it on a VHS tape!). When it ended at 2:30 AM, I was so sleepy. I admired the look of the film and the acting of the entire cast, but I certainly could not relate to any of the characters. I didn't LOVE the movie, but I LIKED many of the scenes, including the first 20 minutes of banter with dysfunctional Martha and George before the arrival of the party guests Nick and Honey (George Segal and Sandy Dennis) especially when Martha imitates Bette Davis by exclaiming "What A Dump!"  But some scenes seemed slow and boring such as the scene with a drunk George and Nick on the swings talking about their pasts.  And the ending - how sad! How depressing!

MY EXPERIENCE WITH THE PLAY
I remember first seeing the stage play of Virginia Woolf in 1992 at the Village Players in Oak Park, IL. It started at 8 PM, and was a LONG play - the longest I've ever seen at 3 hours.  Thankfully, there were two intermissions.  I was amazed that the dialogue was the same as the movie pretty much word-for-word, although I think I was too young to grasp the depth of the dialogue.

Earlier this year, I saw the stage play again (a co-worker of mine played Martha). This time watching the play, I gained a little more insight into these characters. For example,  it occurred to me that the scene where a drunk George picks Nick's brain is the most crucial part of the play/film because - in my opinion - it shows how depraved George really is, and how he instigates all that happens in the rest of the play/film.

No matter when I watch it is still a LONG play. It's still depressing - the play and movie. And I'm still not sure I fully get it.   Who is more depraved, George or Martha? Do they love each other more than Nick and Honey? All they all hypocrites?  What happens at the end? Will Nick and Honey stay together? Will they adopt a child? Will George and Martha continue to drink?

So many unanswered questions. It's a story that can be talked about for hours, and interpreted a number of ways.  Perhaps this is why it is considered to be brilliant.

9/08/2014

RIP, Dead blogs

This past weekend I had the unpleasant task of removing "dead" blogs from my RSS Feed reader.

Over the years I've subscribed to a number of blogs, and some of them just didn't last.

I bid adieu to these blogs, and wish the bloggers the best in their future endeavors.

My Floating Red Couch
The March Studios
Catching the Stars
Hitchcock and Me
Reel Insight
Views and Reviews
Dreams of the Silver Screen
Chaplin in Pictures
In the Mood
Aggie's Place
Jean Harlow blog
7 Dollar Popcorn
Pixie Drive In
Nuts to Will Hays!
And All That Jazz
The Judy Garland Experience
The Fabulous '40s
Pillow Talk
Moon River
Watching Hammer: The Hammer Films Review
Cotton Candy Truant
Ricardo Montalban: His Life and Influence
A Hiccup While I Slept
Film for the Soul
Faces from the Past
My Life in Film
Forget the Popcorn
A Man Worth Writing For
Zombies Don't Run
Memories Are Made of This

If anyone knows anything about these blogs or has a memory to share, please feel free to comment. 

9/06/2014

When a shirt and tie won an Oscar for Best Costume

In my opinion, a lowlight of Oscar history was when Who's Afraid of Virginia Woolf (1966) won the Oscar for Best Costume Design.

I feel it's one of the great under-achievements in the history of the Oscars, as I've observed numerous times on this blog (here) and (here).

For those of you you have never seen the film, let me explain.

Virginia Woolf is a depressing black and white picture about a deranged middle-age couple who verbally torture each other and a younger couple over the course of one night.  It's a cast of only 4 principal actors, like the stage play it is based on. No other human beings (other than a couple of restaurant employees) can claim to appear in the picture.

So let's talk about these 4 actors and their so-called costumes.

1) Richard Burton. He wears the same shirt, tie, and cardigan sweater throughout the picture.

2) George Segal. The only "costume" he dons is a gray suit and a black tie with white shirt.

3) Sandy Dennis, playing "Honey", the wife of Segal. She wears the same dress through the picture.

4) And finally, Ms Elizabeth Taylor. I counted 3 wardrobe changes. In the beginning she has a black v-neck dress on. To look sexy and appealing for Segal, she slips into a low cut blouse and tights. After the diner scene, she changes again into a light sweater and jeans.

All of these clothes could have been found in a thrift shop. I have nothing against thrift shops (I get clothes there all the time), but I mean I don't get how it won a competitive award.

In the video clip below, Robert Mitchum and Candace"Candy" Bergen reveal the winner in one of the most infamous moments in the history of the Oscars (video courtesy of The Oscars YouTube channel).






As KC of Classic Movies observed on a previous post on the subject, perhaps the clothes succeeded in making the characters look pathetic. Indeed they did.

Leonard Maltin's Classic Movie Guide not going away - yet

The last edition of Maltin's Movie Guide for 2015 has been published, but according to his own blog, there will still be a Classic Movie Guide (ironically)---at least for the time being.

The first edition of the Classic Guide was first published in 2005.

The 2nd Edition is due to come out soon, according to the blog.

It's unclear, though, whether the 2nd edition will be the last.

I suspect it will be, and that Maltin didn't have the heart to break the news to us classic film buffs yet.

8/27/2014

The Lonely Guy (1984)


This post is my contribution to 1984-A-Thon hosted by Forgotten Films. Click here for a list of all the participating blogs in the blogathon.

1984's The Lonely Guy is one of my favorite Steve Martin films, along with Planes Trains and Automobiles and Roxanne.

This movie (originally panned by Ebert but enjoyed by Siskel - watch their TV review from 1984 here) is a romantic comedy with lots of amusing sight gags and a bit of dark humor. Neil Simon is credited as one of the screenwriters.

In honor of its 30th anniversary, I've come up with 30 reasons why I enjoy this film.

1. Steve Martin's performance. My favorite moment in the film might be when he's interviewing for an apartment and has to answer all the landlord's questions in rapid succession.  Comic brilliance.  

2 The opening credit song Love Comes Without Warning by America and theme music by Jerry Goldsmith. Cheesey, but it seems to fit this era.

3. How it satirizes self-help gurus and dating in general (albeit dating in the 1980s). A well- known 80s' relationship guru of the time - Dr. Joyce Brothers - even agreed to make a cameo appearance.

4. The running "lonely guy" gag. Martin's character lives in a society where single, hopeless-romantics are stigmatized with that label. To enjoy this movie, I think you have to buy into this  premise.

5. The opening scenes giving us a brief history of lonely guys through the ages, such as the caveman who always had to spend New Year's Eve alone. 

6. All the visual humor. For example, when Martin goes apartment hunting, one of the apartments he visits is half underwater!
7. In the memorable restaurant scene, a spotlight shines on Martin after he orders a table for one! Martin sits down and asks the waiter, "Could you turn off the spotlight?" The waiter goes *snap* and off goes the light. Even Roger Ebert who hated the movie enjoyed that scene. 

8. Charles Grodin as Martin's sad-sack best friend. Grodin is a great sidekick to Martin, and creates a memorable character who is sort of like a  human "Eeyore" from Winnie the Pooh. Martin is the more upbeat and ambitious of the two, and they make a great  screen pairing. 

9. In one of my favorite scenes, Martin visits Grodin who has life-size cardboard cutouts of celebrities in his apartment (1980s-era celebrities, of course). A police officer comes by the apartment and painfully admits that he's a "lonely cop" and wants nothing more than a life-size cut-out of Gene Hackman (who of course played a hero cop in The French Connection).

10.  The scene where Martin meets Iris (Judith Ivey) in the diner, and how Iris can immediately tell that he's a "lonely guy". 

11. After the first meeting, Martin loses Iris' phone number and forgets her name. Martin frantically calls almost every almost everyone listed in the phone book. "Hello is there a Doris there? How about Bess or Tess?"

12.  The subway scene. In a classic scene, Martin is riding on a NY subway, looks out the window and suddenly sees Iris. He then grabs a can of spray paint from a gangbanger to write a message on the glass, impressing the gangbanger who exclaims: "Man, you are one baaaad backwards writer!"

13. How Martin's character is a greeting card writer, and the funny greetings he comes up with. I bet that this was the first time the occupation has ever been depicted on film, years before 500 Days of Summer featured a character with the same occupation.

14. The fact that it was directed by Arthur Hiller - who helmed one of the 1970s' most popular romances, Love Story.  He adds a touch of sentimentally that gives the film heart. I like how when the lovers daydream about each other, the scenes are superimposed on free-frame shots.

15. The New York setting, and all the scenes in Central Park. 

16.  The rooftop scene, where Martin cries out for Iris and is joined by other guys on rooptops crying out for women they lost.

17. Martin meets a girl in a bar and starts to tell her how much he wants a real serious relationship, and after a long emotional pitch by Martin, she reveals that she's just looking for sex. 

18. Martin and Grodin pop in VCR tapes of crackling log fires or scenes of fish swimming in an aquarium.

19. Martin and Grodin both buy ferns and treat them like real people. I've never been able to think of ferns in the same way again.

20. Martin visiting his psychiatrist. He rings the doorbell, and the doctor says, "Talk into the box". Martin bares his soul while a nosey neighbor listens to all.

21. The chess scene where Grodin plays chess with a computer that talks back.

22. Martin's fast-talking landlord. 

23. Crooner Steve Lawrence singing "Isn't it Romantic?". You can't have him in a movie without a little singing.

24. How Martin's character finds success with his best-selling book, "A Guide for the Lonely Guy" yet still struggles with his relationships.

25. Martin dressed as Chaplin at a costume party.

26. Grodin watching a sci-fi movie all by himself at another party. 

27. The channel surfing scene. Toward the end of the film, Martin has a disturbing vision of wasting his life away on the couch watching TV, and is thrown into the garbage. He suddenly  jumps off his couch, looks at his remote as if it were a loaded pistol and tosses it to the ground. It's a hilarious moment.   

28. Martin's own personal police escort as he runs to find Iris.

29. The very last scene of the movie. A great pay-off for Grodin's character, and a happy ending that leaves me smiling every time I see it. 

30. Seeing all the outdated technology.  The Lonley Guy feels like it was made a half-century ago or more, as characters use antiquated technology like typewriters, push-button phones, address books, and VHS tapes. No one uses cell-phones or does any texting, tweeting, online dating, or facebooking.   

But this nostalgia factor is one of the reasons why I love The Lonely Guy, and other movies from the 1980s.

If you feel the same, be sure to check out more movies from 1984 in the 1984-A-Thon hosted by Forgotten Films.

8/14/2014

Favorite Robin Williams movies Good Will Hunting (1997), Popeye (1980), and Dead Poets Society (1989)


Popeye (1980) This one may be my favorite. This writer from Vanity Fair agrees with me  He was perfect for the role, and the movie itself is timeless. The way Popeye interacts with his "pappy" played by Ray Walston is always so much fun to watch. Directed by Robert Altman and produced by Robert Evans. Evans shares some memories of Williams in a new interview from The Hollywood Reporter.   Another remembrance from Comic Book Resources.
Good Will Hunting (1997). Williams was brilliant in this movie. I saw the picture twice when it came out and was really inspired by the film, and the way his character encourages the young man played by Matt Damon to make something better with himself. Producer Harvey Weinstein remembers Williams in a new interview with the Hollywood Reporter here.  In recent days, Boston fans have come to the park where the movie was filmed to pay respects.

Dead Poets Society (1989) I had to watch the movie twice to fully appreciate it. I never had a poetry class, but I always imagine that I'd enjoy the class if it were taught by the character Williams brings to life. He always reminds me of some of the best teachers I ever had in college, who really wanted to make a lasting impression with the students.  One of the film's co-stars, Norman Lloyd remembers Robin in this new tribute from The Hollywood Reporter.

8/12/2014

Lauren Bacall, Star of Hollywood’s Golden Age, Dies at 89

Lauren Bacall, the sultry blonde siren who became an overnight star via a memorable film debut at age 19 opposite Humphrey Bogart in Howard Hawks’ “To Have and Have Not,” died Tuesday of a suspected stroke at her home in the Dakota in Manhattan. She was 89.

The Bogart estate tweeted the news.

With deep sorrow, yet with great gratitude for her amazing life, we confirm the passing of Lauren Bacall. http://t.co/B8ZJnZtKhN—BogartEstate (@HumphreyBogart) August 12, 2014

Variety’s review of the 1944 film described her as “a young lady of presence,” and audiences immediately embraced her gravel-voiced and sultry persona. The voice was said to have come from a year shouting into a canyon. Regardless, “the Look,” her slinky, pouty-lipped head-lowered stare, influenced a generation of actresses.

After a 50-year career, she received her first Oscar nomination for supporting actress for her role as Barbra Streisand’s mother in 1997’s “The Mirror Has Two Faces.

7/31/2014

Superman theatrical cartoons of the 1940s

A blog post by Leonard Maltin recently highlights an old newspaper ad from 1942 where a Superman short subject is promoted. Check it the ad here.

It's amazing to me that Superman cartoons were already being produced in Technicolor just 3 years after Superman's debut in the print comics.

I've never seen any of these theatrical Superman shorts before. But now, thanks to YouTube, they are watchable. But sadly, this episode contains some unfortunate racist stereotyping. 

\

In "Japoteurs", Supe saves Lois Lane from a plane piloted by Japanese saboteurs.



7/30/2014

Edge of Tomorrow, Snowpiercer, and Dawn of the Planet of the Apes (2014)

So far I've seen 3 new dystopian films in as many months, and surprisingly, I enjoyed them all.


Edge of Tomorrow (2014). I heard this movie described as a cross between Starship Troopers, Saving Private Ryan, and Groundhog Day (!). I might not have gone to see it if Groundhog Day was not in the equation; I love that movie and the concept of continuously reliving the same day with the option of doing something different each time, which is not often explored in films. That's exactly what Tom Cruise does in this, and he's teamed along with Emily Blunt; the two make a great pairing. I went to see the movie on the weekend of June 6, the 70th Anniversary of the Normandy landings. To my surprise, the film starts off with solders battling huge bug-like creatures on a beach (!). I couldn't help but wonder why I was was watching this and not The Longest Day (the next day I did watch that film). The film got better as it progressed, and turned into a very good action thriller, feeling like a "video game" (Live. Die. Repeat.) 

Snowpiercer (2013).  After the entire earth freezes over, only a few human survivors exist, and they're all trapped on a train that circles in a continuous loop. This was a big hit in South Korea last year, but elsewhere, it has been slow to pick up steam (pun very much intended). The film features an international cast: Chris Evans, Jaime Bell, Tilda Swindon, Octavia Spencer, and several South Korean actors that spoke mostly in their native tongue. Did I mention the film also has John Hurt and Ed Harris? (Two of my favorite actors) The film explores class struggle as characters from the back of the train (the slum) attempt to make their way to the front. The journey is an exciting one, as each boxcar presents some new obstacle or revelation about the train's operations. In one scene a man realizes he is in the possession of the last cigarette left in the world; I loved how the camera focused on the smoking ash so intensely.  In another scene a character gets to feel how cold the temperature really is outside (and the results are not pretty).  And one character serves as the train's "photographer" using some coal (I think) and a sketch pad.

Read another blog post about Snowpiercer from Avvaganda.com

Dawn of the Planet of the Apes (2014). Not having a vested interested in the series, I almost skipped this. But it's been getting rave reviews for its innovative visual effects, and I just had to see for myself what all the fuss was about. Well, I must say, I was amazed by the CGI and all of the ape effects. For awhile I even thought I could smell the apes (it turned out what I was really smelling was the foot odor from the kids in the row behind me). The movie had a great story, too, exploring themes of war and diplomacy. Thankfully, I didn't need to see any of the previous movies to understand what was happening, and it was a fun movie to watch. I walked out of the movie feeling I really experienced some innovative visual effects.

7/28/2014

Ida (2013)


.

Ida - a critically acclaimed 2013 Polish film recently released in the United States - is the story of a young nun who is granted time away from her convent before she takes her vows. While away, she discovers some secrets bout her family's past that she never knew.

I found it to be very thought-provoking. The characters do things that you don't expect and makes you think about what you would do in their circumstances.

The film is beautifully shot in black-and-white; after a few minutes I was convinced I was watching a documentary made in the early 1960s (when the film is set).

Read more reviews at the blogs Black Maria | Cinema Romantico |  City Upon A Hill  |  Cinema Viewfinder  |  Wide Screen World | Surrender to the Void | Roger Ebert | Sheila O'Malley

7/27/2014

Trailer for new film about Cantinflas

This upcoming biographical film about Cantinflas looks really interesting. I think much of the film will be in Spanish with English subtitles. The actor bears a strong resemblance to the famous Mexican actor who died in 1993 at age 81. I hope to get a chance to see it soon.

6/30/2014

[Video Clips] Vintage Oscar clips to check out

The official Oscars YouTube Channel uploaded some neat video clips recently.

Here are some of the coolest I watched:

1968 Oscars: Humanitarian Award to Martha Raye

Bob Hope (who was not hosting that year) comes out and does a little comedy bit before giving an honorary Oscar to his former radio & film co-star Marta Raye, honored for her service in Vietnam.


1985 Oscars: Honorary Oscar to composer Alex North ("Cleopatra", "Spartacus")

After a comedy bit by Oscar co-host Robin Williams, Quincy Jones comes onstage to give an honorary Oscar to Alex North, who was nominated for 15 Oscars but never won. One of his nominated scores was for "Who's Afraid of Virginia Wolf?", which I have some issues with because there is very little music in the film.

In his speech, he makes a plea for Hollywood to have less gratuitous sex and violence in movies, which is followed by applause, interestingly.

 


1938 Oscars: Bette Davis, Spencer Tracy and Deanna Durbin winning Oscars

From February 23, 1939. Newsreel footage from the Oscar ceremony. This is a treat! Rare, hard to find footage!!



Thank you, Oscars, for uploading these gems!

6/17/2014

Nebraska (2013) and I Never Sang for My Father (1970)

I recently watched two intriguing films about complicated father-son relationships.  I would recommend both films; I think they'd be especially enjoyed by anyone who has had experience caring for an elderly parent.

The first is 1970's I Never Sang for My Father, which recently aired on Turner Classic Movies.  It's a serious drama that explores the themes of aging and death. Gene Hackman plays a widower who wants to move out of state and remarry. He's torn between moving and staying to care for his elderly father played by Melvyn Douglas.

Melvyn Douglas' character is a stubborn and proud man. We learn he used to be a politician and was very well-known at one time. He's the kind of man that will talk your ear off. Now in his 80s and a widower, he has very few friends, and often falls asleep watching westerns on TV.  He's not entirely sympathetic - we learn he and his daughter (Estelle Parsons) are estranged because of his disapproval of her husband.  And he treats Hackman like a child, and keeps making him feel guilty by saying, "I don't know what I'd do without you".

The movie has two sequences that I've rarely seen in the movies. One scene shows Hackman and Douglas shopping for funeral caskets (for Hackman's mother who just died). Another scene shows Hackman visiting different nursing homes to see if they would be right for his dad. He sees many lonely people by themselves, and he's filled with so much guilt.

It's a very quiet film, and really makes you think about these people, particularly Hackman's character, and how he handles the cards he's been dealt.

The other film is a bit more lighthearted: last year's Nebraska (2013), which is a quirky - and occasionally raunchy - comedy starring Bruce Dern as an elderly man suffering from early stages of dementia. His character is very different from Melvyn Douglas'; Dern is much more of an "average guy", and is much more of a quiet man who doesn't talk much.

But Dern is stubborn nonetheless - and is determined to claim a winning sweepstakes prize in Nebraska. His son is played by Will Forte and the two men go on a road trip to claim the prize. I really enjoyed these scenes of the two men bonding. At one point they visit Mount Rushmore and Dern is unimpressed. Then the best part of the film has the two pass through Dern's old hometown in Nebraska, where they meet many of his old friends including Stacy Keach, who teases him about the prize. There's even an old flame of Dern's that Forte meets, which makes him see a different side of his father.

The movie kept me in suspense to find out what happens at the end when they try to claim the prize. I was very pleased with the outcome of the movie, and I felt uplifted and inspired at the end.

Both movies have elements that reminded me of people in my own family and real life situations.

6/14/2014

Went the Day Well? (1942)

Went the Day Well? starts with a friendly chap addressing the camera and welcoming us to a small village cemetery. He tells us about some "past" events that happened here, specifically a German infiltration of a small British village.

Though not an account of any one specific event that happened during the war (the town in the film - "Bramley End" - is fictional), the film portrays what a German takeover could look like.

When you watch this movie - 70 years later -  keep in mind this movie was made in 1942. Not 1948 or 1952. 1942. The opening narration is set after the war when Hitler had been defeated, says the chap. The movie was quite ahead of its time.

The first half of the movie shows us how the Germans take over the town over a period of several days in May.  One of the title cards announces that one of the days is "Whit Sunday"; I had to look up what that meant because I didn't know Whit Sunday was a commemorative holiday for many in England.

There are some very emotional moments in the film. It's sad to see one of the trusted dignitaries of the village (Leslie Banks) aid the Germans, and shocking to see the town pastor get shot and killed in cold blood (in his own church on Whit Sunday, no less).

The suspense continues to build by the second half of the film when the villagers begin to fight back. Old folks, women, and children become heroes and in some cases, die fighting the enemy.

Went the Day Well?  had its premiere airing on the Turner Classic Movies channel a few months ago, and host Robert Osborne commented that he was amazed that more people had not seen this film.

Director: Albreto Cavalcanti.

More About This Film:


LA Times Film Review, 2011

The UK Guardian Film Review, 2010
Review from the blog, The Stalking Moon, 2010
Film Review from the blog Sergio Leone and the Infield Fly Rule (2011)
Thrilling Days of Yesteryear, 2014 (review)

6/09/2014

Martha Hyer (1924-2014)

The Santa Fe New Mexican and Boot Hill are reporting that actress Martha Hyer has passed away. She was 89.

For 25 years (1946-1971), Ms Hyer appeared in both lead and supporting roles in a numerous popular films, including Sabrina, Frances in the Navy, The Delicate Delinquent, The Carpetbaggers, Houseboat, The Sons of Katie Elder, and Some Came Running, which earned her an Oscar nomination.

She retired from films in the early '70s, and lived in Santa Fe.

Her filmography includes:

1940s (early career)

1947 Thunder Mountain 
1948 Gun Smugglers
1949 Rustlers, The Clay Pigeon, Roughshod, The Judge Steps Out

1950s

1950 The Lawless, Outcasts of Black Mesa, Salt Lake Riders, Frisco Tornado, Kangaroo Kid
1951 Oriental Evil
1952 Yukon Gold, Wild Stallion, Geisha Girl
1953 Abbott and Costello Go to Mars, So Big
1954 Riders to the Stars, The Battle of Rogue River, Sabrina
Dean Martin, Martha Hyer, and Frankie Sinatra
1954 Lucky Me with Doris Day
1954 Wyoming Renegades
1954 Down Three Dark Streets
1954 Cry Vengeance
1955 Kiss of Fire, Francis in the Navy 
1956 Paris Follies of 1956, Showdown at Abilene 
1956 Red Sundown 
1956 The Delicate Delinquent with Jerry Lewis
1957 Mister Cory with Tony Curtis
1957 My Man Godfrey, Battle Hymn 
1958 Houseboat with Cary Grant
1958 Paris Holiday with Bob Hope
1958 Once Upon a Horse...
1958 Some Came Running - Oscar Nomination for Best Supporting Actress
1959 The Best of Everything with Joan Crawford
1959 The Big Fisherman


1960s

Danny Kaye and Martha Hyer
1960 Ice Palace, Desire in the Dust, Mistress of the World
1961 The Last Time I Saw Archie with Robert Mitchum
1962 A Girl Named Tamiko
1963 Wives and Lovers with Van Johnson, Janet Leigh
1963 The Man From the Diner's Club with Danny Kaye
1964 Bikini Beach, First Men in the Moon
1964 The Carpetbaggers 
1964 Blood on the Arrow
1965 The Sons of Katie Elder with John Wayne
1966 The Chase with Marlon Brando 
1966 The Night of the Grizzly with Clint Walker
1966 Picture Mommy Dead 
1967 House of 1,000 Dolls with Vincent Price
1967 The Happening with Anthony Quinn
1967 Some May Live with Joseph Cotton
1968 Catch As Catch Can 
1969 Crossplot with Roger Moore
1969 Once You Kiss a Stranger...

1970s

1971 Day of the Wolves 

6/06/2014

Actors Who Fought on D-Day

Today, Comet Over Hollywood commemorates D-Day with a post honoring the popular film & TV actors who served in WWII on June 6, 1944.

Read the post here:




To learn more about D-Day, visit



5/26/2014

The Cross of Lorraine (1944)

Jean-Pierre Aumont

In one of my favorite films, 1953's Stalag 17, the POW character Cookie wonders why there aren't more movies about war prisoners.

Stalag 17 was set in 1944, so Cookie and his fellow barracks mates would not yet have known about  1944's The Cross of Lorraine, a great POW film that was released by MGM.

Lorraine is an unusual American production in that it's about French prisoners and stars a great French actor in the lead role, Jean-Pierre Aumont, playing a bilingual solider who reluctantly serves as a translator.

Unlike Stalag 17, there is little comedy relief in  Lorraine.

Based on factual accounts, it is set in a German prison camp not far from the French border. Some of the prisoners are killed by the Germans. Some are tortured.  And some hope to escape the prison and join the French Resistance.

Gene Kelly and Hume Cronyn play French soldiers. Peter Lorre is a German officer.

It is well made film, and a great tribute to the French alliance.

The Cross of Lorraine aired on Turner Classic Movies a few weeks ago, and was recently reviewed here at the blog Silver Screenings.

5/25/2014

Chef (2014)

Chef is a new independent comedy-drama starring, written and directed by Jon Favreau, taking a break from directing blockbuster superhero movies with Robert Downey Jr (Downey Jr. has a cameo in this film, incidentally).

In a nutshell: a divorced LA chef quits his job in a restaurant and starts a food truck, all the while teaching his young son some lessons along the way. The kid also teaches his dad a thing or two.

Now, if you're think you'll like a movie with LOTS of cooking and eating, go see this movie. I was very glad I ate before the movie!

Favreau as the lead took me some getting used to. He's played an obnoxious guy  in everything I've seen him in (Swingers, Four Christmases) and he plays a similar character in this, hot tempered and all. But when he made that grilled cheese sandwich for his son, I was charmed.

I was surprised to see some big name stars in the cast. Dustin Hoffman plays the restaurant boss. Scar-Jo (Scarlett Johansson) is in it, too as the restaurant host.  The ex-wife is played by Sofia Veranga, who is good in her part. And I haven't seen John Leguizamo so good in a film since the mid '90s.

The father-son relationship is a big part of the movie. They have some some quality bonding time in a cross-country trek, as the truck makes stops in Miami, New Orleans, and Austin. The soundtrack is great, and moves the film along nicely.

Reflecting our modern day culture, there are many uses of social media in this movie, more than any film I've seen before. Many of the characters "Tweet", "text", "Facebook", and "YouTube", and even "Vine".  At one point Favreau says to his tech-savvy young son "You're the head of our Marketing team!"

All the Tweeting done in the film is integral to the story, and the way it is presented on screen is unique and clever, and will likely be imitated by others in the future.

This movie is getting good word of mouth, and is now among the "Top 10" hits in the United States this weekend.

5/19/2014

The Shopworn Angel to air on TCM this Saturday

This Saturday, the Turner Classic Movies channel will be airing a little gem of a film called The Shopworn Angel (1938) starring Jimmy Stewart, Margaret Sullivan, Walter Pidgeon, and Hattie McDaniel. 

I wrote about this movie in the recent James Stewart Blogathon, and if you haven't seen the film, this Saturday's your chance!

The movie is scheduled to air at 7:30 AM (Eastern) / 4:30 AM (Pacific), which is kinda early. So you might want to set your DVRs or VCRs to record it.

5/06/2014

Billy Budd (1962)

This post is my contribution to The Great Villain Blogathon hosted by Silver Screenings, Shadows and Satin, and SpeakeasyClick here for a list of all the participating blogs in the blogathon.
Terrence Stamp as Billy Budd

K
ristina's entry yesterday in The Great Villain Blogathon focused on the terrifying Zod, portrayed by Terence Stamp in Superman II (1980). When I was kid, I was quite frightened by him. Over the years I saw more of Mr Stamp's films, including his impressive film debut in Billy Budd (1962).

Based on a story  by Herman Melville (Moby Dick) Billy Budd takes place aboard a British war ship during the Napoleonic era. One of the new sailors aboard the ship is Billy Budd -- Stamp plays him, and trust me, there is not a hint of Zod to be found in him. Budd is the polar opposite of Zod: friendly, noble, and honest. Stamp is so convincing in his portrayal of the character that he was nominated for an Oscar. [1]

At the core of the story is an allegory tale depicting two natures of the human soul: the good in Budd, and the evil personified by John Claggart, the captain's first-mate in charge of the ship's discipline. So cruel is Claggart, he has men whipped for the slightest reason. In another universe, Claggart and Zod would get along very well.

In portraying Claggart, American film noir icon Robert Ryan (Crossfire, Born to Be Bad, Caught) delivers another stellar performance. Which brings us to the focus of today's post.


"I am what the world has made me"

While reading some other reviews of this film, I discovered universal acclaim for Ryan's performance, and I am in wholehearted agreement:
  • Pauline Kael wrote: "Robert Ryan gives a fine performance in the difficult role of Claggart...he makes evil comprehensible." [2]

  • From the blog Classic Film Freak: "He completely personifies the evil and mean spirited Claggart -- in retrospect it is as close to a perfect performance as I’ve seen from Ryan." [3]

  • From the blog Captain Critic: "The way he pounds his baton against his leg with every stroke of the floggger's whip, his lips quavering with hunger as he counts the strokes, is one of the most revolting depictions of sadism I've ever seen on film." [4]
Onscreen, you can sense the fear and intimidation Claggart evokes in everyone as he walks by. Even when he's not onscreen, you can sense his authoritative presence.

At times Ryan is filmed from the waist down or from behind, towering over others.

And - in an interesting twist - Ryan does not attempt speak his lines with a British accent. Some might see this as flaw. But I think it makes the character seem even more arrogant and sinister. It adds to the mystery of his tormented soul, as if he was exiled from a foreign land at some point in his life.

One night, the simplehearted Budd - unable to fathom how a man could be so cruel - tries to get the inhumane Claggart to open up.

Their conversation is my favorite scene in the film; here's a snippet of their dialogue:

Claggart: Is it ignorance or irony that makes you speak so simply?

Budd: It must be ignorance, sir, because I don't understand the other word.

I love how Classic Film Freak describes Ryan in this scene:  "You can visibly see his emotions change just by looking at his eyes. You can tell that Claggart would like to be amiable, perhaps even have a friend aboard. He envies Budd in this regard. His eyes soften momentarily with eagerness, but then their usual hard stare return as Claggart rebuffs Budd. Masterful casting." [5]

Claggart goes on to say, "The surface of the sea is calm, but beneath it every creature is a killer."

A series of events then take place, but I will not give anything away if you haven't seen the film or are unfamiliar with the story.

The less you know, the much more exciting the experience will be.

The film's supporting cast includes a number of recognizable actors including John Neville, Paul Rogers, Robert Brown (James Bond's "M"), Ray McAnally, and David McCallum who plays one of the officers aboard the ship. Melvin Douglas (soon to win an Oscar for 1963's Hud) has a small but important role as an old Danish sailor who serves as a mentor to Billy.

Directed by the brilliant Peter Ustinov, who also plays the ship's conflicted captain ("You only have two duties: to fight and to obey", he declares at one point). I love that the film was photographed in black-and-white over color, which I don't think would have been as effective. And the way the camera sways every so subtly makes you feel like you are on the ship with the others.

I highly recommend this film as a "must see".

Available on DVD (with commentary by Terence Stamp).

Trivia

By the time the film went into production, the story had been adapted for the stage and for television.

According to a 1997 biography by Franklin Jarlett, Robert Ryan lobbied for a role in this picture. [6]

According to Rob K from the blog The Luna Park Gazette, in the 1953 television production, William Shatner played the role of Billy Budd [7]


References

1. Best Actor (blog). Best Supporting Actor 1962: Terence Stamp in Billy Budd  (Published Oct 2011)

2. The Age of Movies: Selected Writings of Pauline Kael, Pauline Kael. (Library of America, 2011)

3, 5. Classic Film Freak (blog). Billy Budd (1962)  (Published Aug 2012)

4. Captain Critic (blog).  Reeling Backward: Billy Budd (1962) (Published Oct 2012)

6.  Robert Ryan: A Biography and Critical Filmography, Franklin Jarlett (McFarland & Co., 1997)

7. The Luna Park Gazette (blog)  This Budd's For You (Published June 2011)



This post is part of The Great Villain Blogathon hosted by Silver Screenings, Shadows and Satin, and Speakeasy

Click here for a list of all the participating blogs in the blogathon.





5/01/2014

The current state of independent theaters in Chicagoland

The other day I reported sad news about the Patio theater - a golden-age Chicago movie palace that for the past few years has been a great venue for classic film screenings and second run films. It's now closed because the owner cannot afford the $50,000 cost to fix the air conditioning.  It's sad that this had to happen, because in 2012 the owner successfully raised $50,000 in a Kickstarter campaign to purchase a digital projector. And I'm happy to say that I went to see the James Bond in Skyfall from that projector more than once. The 35MM projector still was in great condition, and I recently saw a great pre code classic there last week (I'll have a review of it soon).

Unfortunately, the owner lost the vision he had when he reopened the theater and talked about keeping it open "for generations to come". In this recent interview with the Chicago Tribune, his attitude is anything but optimistic. He complains about the admission price, the single theater, and the horrors of borrowing money.

Adding to the hardship is the fact that the theater is not in the best location in the city.

Most people I know that have attended the classic film screenings have had to travel half-way across the city, a commute of anywhere between 30 minutes to an hour (or more). And it's not close to any trains or subways. Two other neighborhood movie houses - The Music Box and The Logan - are doing much better and drawing in healthy crowds each week, offering more to the audience than what the Patio has been able to do. Both have multiple screens. The Logan has a bar and hosts events throughout the week such as Trivia nights. The Music Box is probably the #1 theater in Chicago to see art and foreign films. And both are near train stations and downtown Chicago, which makes a big difference in my opinion.

Another independent theater in the Chicago area is experiencing some great fundraising success. Just this morning I heard that the 101 -year old Wilmette Theater raised enough money on Kickstarter to avoid shutting its doors (read the piece from CBS Chicago here). The owners of the 2-screen theater in suburban Chicago successfully raised $70,000 to purchase a digital projector for their second screen (they already had one digital projector for their other screen).

This article from the Chicago Tribune reports on yet another success story:

"Tim O'Connor, co-owner of the Catlow Theater in Barrington -- and a recent donor to the Wilmette Theatre's Kickstarter campaign – said the online fundraising mechanism prevented his own historic, single-screen movie house from being shuttered in 2012. "We had 60 days to raise $100,000 in donations for a new screen and a new digital projection system, but when we reached our goal in the first seven days, people were asking us, 'what else do you need'" recalled O'Connor, who said the Kickstarter campaign ended up raising $175,000."

It all goes to show that it's not easy to run a decades-old movie house.

There are some success stories, and there are some failures, as in the case with the Patio.