Showing posts with label Paul Newman. Show all posts
Showing posts with label Paul Newman. Show all posts

8/27/2022

The Card Counter (2021), The Sting (1973), and Atlantic City (1980)


The Card Counter
 is a new movie with Oscar Isaac as an ex-military gambler who travels around to card games and teams up with Tiffany Haddish; I like both actors so this was really a fun movie to watch. 

More reviews of the film from other bloggers here:

There's plenty of card games in the film, and afterwards, I felt like rewatching The Sting, which is one of my favorite movies and rewatch it from time to time. The plot is so detailed and each time I rewatch I pick up on some new things I missed the last time.  I love how the characters pull off the cons in the movie. And also love the music, sets (some scenes filmed in Chicago), and costumes as well. 

I wondered why I enjoy this movie so much. The two main leads are criminals, liars, and thieves. But there's a likability about them; their personalities really connect with me. Even though they are so conniving, Paul Newman's behavior and mannerisms make me laugh. I like how the gang all cares about each other's families, especially when Luther (Robert Earl Jones) gets killed, and how they come together to avenge his death. 

I also was curious about The Sting II so I rented it from Netflix to give it a try. It's horrible. I couldn't even finish watching the whole movie, it's so bad. What were they thinking when they made this movie?  The dialogue (by the same writer as the first movie, unbelievably) is atrocious, and features some homophobic slurs by Karl Malden, presumably an attempt to make his character more loathsome. He must have needed the paycheck. This has got to be the worst comedy sequels of the 80s. It makes Caddyshack II look way better in comparison. 


And finally, to close out my gambling-themed movie kick, I tried watching Atlantic City (1980) with Burt Lancaster and Susan Sarandon, but I didn't like it so not much to say about it. 


8/12/2016

Cat on a Hot Tin Roof (1958)

A classic film adaptaion, and box-office smash hit for MGM, from Tennesse Williams' Pulizer Prize winning play, with great performances by leads Elizabeth Taylor (Maggie the Cat) and Paul Newman (Brick Pollitt). They are tormented souls, but nonetheless in love, regardless of Brick's lack of effection. The film (and of course, the play) is filled with so many complexities that it leaves you breathless literally and figuratively : Brick and Maggie visit his father, "Big Daddy" for his birthday, but he's dying of cancer. There's talk about inheritance and sibling rivalry. Brick is an alchoholic, temporarily disabled from an injured ankle, and is tormented by a past (his friend committed suicide) and as is non-effectionate with his wife. Maggie has demons of her own, including a revealed relationship with Brick's friend. Williams wrote the character of Brick to be gay, but this aspect was toned down in the film version. Williams had been known to say that he wrote this play to reconcile himself with his own father. Burl Ives plays "Big Daddy" in the movie, and Judith Anderson is "Big Mamma". Very good drama with two of the hottest movie stars of all time.

7/18/2013

The Young Philadelphians (1959)


Robert Vaughn
Paul Newman plays a young ambitious lawyer in a film based on the best-selling novel "The Philadelphian" by Richard P Powell about a lawyer's rise up the social ladder. The film's first half focuses on Newman starting out in his career and his relationships as he tries to get ahead in a firm. One of his best friends is played by Robert Vaughn, who was nominated for an Academy Award for his performance.  The movie picks up steam toward the end, when Newman takes on the most challenging case of his life. The setting moves to the courtroom, and Newman acts as defense attorney in a murder case.  In one interrogation, Newman has a witness sniff glasses of liquor which is amusing at first but proves to be an important part of the evidence.

1/18/2011

40 Years Ago - Top 10 Box Office Stars of 1971 (USA)


The rankings come from Quigley Publishing Co.'s annual list (since 1932) of top money making stars in the USA, which based on a poll of hundreds of theater executives. The list does not rank stars only on how much cash their films made, but on what theater owners say about who attracts audiences on their star power alone.

1. John Wayne

2. Clint Eastwood

3. Paul Newman


4. Steve McQueen


5. George C. Scott

6. Dustin Hoffman

7. Walter Matthau


8. Ali MacGraw


9. Sean Connery


10. Lee Marvin


12/20/2010

40 Years Ago - Top 10 Box Office Stars of 1970 (USA)


The rankings come from Quigley Publishing Co.'s annual list (since 1932) of top money making stars in the USA, which based on a poll of hundreds of theater executives. The list does not rank stars only on how much cash their films made, but on what theater owners say about who attracts audiences on their star power alone.

1. Paul Newman


2. Clint Eastwood

3. Steve McQueen


4. John Wayne

P.S. - Read a review of the new True Grit movie
from the blog We Are Movie Geeks

5. Elliott Gould



6. Dustin Hoffman

P.S. - Back on big screen this weekend in Little Fockers! (official movie website)

7. Lee Marvin



8. Jack Lemmon

9. Barbra Streisand



P.S. - Back on big screen this weekend in Little Fockers! (official movie website)
10. Walter Matthau

1932| 1933| 1934| 1935| 1936 | 1937 | 1938 | 1939 | 1940 |
1941 | 1942 | 1943 | 1944 | 1945 | 1946 |
1947 | 1948| 1949 | 1950 |



11/13/2010

Top 10 Box Office Stars of 1969 (USA)


The rankings come from Quigley Publishing Co.'s annual list (since 1932) of top money making stars in the USA, which based on a poll of hundreds of theater executives. The list does not rank stars only on how much cash their films made, but on what theater owners say about who attracts audiences on their star power alone.

1. Paul Newman

2. John Wayne


3. Steve McQueen


4. Dustin Hoffman



5. Clint Eastwood


6. Sidney Poitier



7. Lee Marvin


8. Jack Lemmon

9. Katherine Hepburn


10. Barbra Streisand


10/31/2010

Top 10 Box Office Stars of 1967 (USA)


The rankings come from Quigley Publishing Co.'s annual list (since 1932) of top money making stars in the USA, which based on a poll of hundreds of theater executives. The list does not rank stars only on how much cash their films made, but on what theater owners say about who attracts audiences on their star power alone.

1. Julie Andrews


2. Lee Marvin

3. Paul Newman


4. Dean Martin


5. Sean Connery


6. Elizabeth Taylor


7. Sidney Poitier

8. Richard Burton


9. John Wayne

10. Steve McQueen


8/06/2010

Fat Man and Little Boy (1989) with Paul Newman

This year marks the 65th anniversary of the bombing of Hiroshima during WWII (the first bomb was called Little Boy, the bombing of Nakasaki was Fat Man). I don't think Paul Newman would have participated in a film such as this unless he felt there was a compelling story to be told, so I was very curious to watch this film.

It attempts to dramatize the events leading up to the day of the bombing, focusing on the characters of scientist J. Robert "Oppie" Oppenheimer (Dwight Schultz), his wife (Bonnie Bedelia), Army General Groves (Paul Newman) and the rest of the "Manhattan Project" team.

Another scientist is played by John Cusak. His is a compsite character of a number real life men exposed to lethal radiation during testing and died soon after being exposed. I wasn't expecting to see Laura Dern in this, as a nurse who falls in love with him. The late Natasha Richardson plays Oppie's mistress Jean Tatlock, who kills herself at the age of 30.


Newman is solid and does what he needs to do. Director Roland Joffe (The Killing Fields) makes films about once every five years. This time he creates a pretty straight-laced docudrama. Once again he joins with composer Ennio Morricone, whose score stirs up the film when it's needed. And there are some great shots by cinematographer Vilmos Zsigmond, who won an Oscar for 1977's Close Encounters.


I thought the film was about a half hour too long; a few domestic scenes were just not needed, including a few with Cusak and Dern. There is some tension toward the end, with the final scene taking place at a test site in the New Mexico desert in July 1945. The film ends with the closing title card -