5/28/2010

Top 10 Box Office Stars of 1948

1932| 1933| 1934| 1935| 1936 | 1937 | 1938 | 1939 | 1940 |
1941 | 1942 | 1943 | 1944 | 1945 | 1946 |
1947 | 1948| 1949 | 1950 |

Quigley's Annual "Top Ten MoneyMakers Poll" has been conducted every year since 1932 and is based on a yearly survey of motion picture exhibitors. The survey asks the exhibitors to vote for the ten stars who generated the most box-office revenue for their theatres that year. Though it doesn't reflect actual box-office receipts, the Quigley poll has long been regarded as a reliable indicator of a star's box-office draw. It is published annually in the International Motion Picture Almanac.

When looking over the list below, keep in mind that a star's ranking was frequently influenced by major blockbuster movies of their career, but not always in the year of the film's official release. This is because under the old method of distributing films, it often took a movie many months after its premiere to reach theatres throughout the United States. In the days of single-screen theatres (as opposed to today's multiplexes), films were not released simultaneously in hundreds of theatres across the country the way they are now. Instead, movies opened in a few large theatres of major metropolitan cities before gradually working their way into the smaller theatres and cities as the larger theatres chose to showcase new films. The more successful a film was, the longer it played in the big theatres, and the longer it took for people in the smaller cities to get to see it. Thus, individual films continued to generate box-office revenues for several years, spreading out the impact of their success on the annual ranking of their stars.

Written by Elizabeth, ReelClassics.com


1.

Bing Crosby




2.

Betty Grable



3.

Abbott & Costello




4.

Gary Cooper




5.

Bob Hope





6.

Humphrey Bogart



7.

Clark Gable





8.

Cary Grant




9.

Spencer Tracy




10.

Ingrid Bergman


1932| 1933| 1934| 1935| 1936 | 1937 | 1938 | 1939 | 1940 |
1941 | 1942 | 1943 | 1944 | 1945 | 1946 |
1947 | 1948| 1949 | 1950 |

5/27/2010

[TV Memories] Lena and friends: musical performances on TV

Tonight I enjoyed these wonderful clips from Lena's television appearances over the years. Most of these I have never seen before. Thanks to all who posted these wonderful clips.
Lena and Tony Bennett ("The Look of Love"/"My Funny Valentine") With Jack Benny, Milton Berle, Lawrence Harvey, Janis Paige (medley, 1962) With Dean Martin (1960s) With Dean Martin and Bing Crosby (1960s) With Perry Como (medley, 1960s) With Perry Como and Dean Martin (1964) And with Kermit: "It's Not Easy Bein' Green" (1970s)

5/26/2010

Olivia de Havilland and Jimmy Stewart

The following excerpt is from the biography of Jimmy Stewart, Pieces of Time: The Life of James Stewart, by James Fishgall.

My notes are in blue.

The setting: New York, December 19, 1939. The NY premiere of Gone With The Wind at the Astor Theater. Olivia was scheduled to attend.

Jimmy, eight years older than Olivia, was on the east coast for the holidays; his hometown was the small town of Indiana, Pennsylvania (his father owned a hardware store in town). Jimmy was visiting his sisters in New York around the time of the GWTW premiere.

While Stewart was in Manhattan, Lelan Hayward (Stewart's agent) asked if he would escort Olivia de Havilland to the New York premiere of her latest film, Gone With the Wind. The fix-up had been the brainstorm of Irene Mayer Selznick, wife of the film's producer, David O. Selznick. Stewart didn't know the actress, but he had read in a gossip column that she wanted to meet him, so he eagerly complied with his agent's request.



"Jimmy met me at La Guardia airport," de Havilland recalled, "even had the limousine drive out to the airfield - we were both quite shy and ventured one word at a time in our conversation." Still, a definite spark passed between them. Over the next few days, Stewart took her to the theater several times and to the "21" Club. She recalled that one of the plays they saw as Mornings at Seven, directed by Jim's old friend Josh Logan, whom she met for the first time backstage.

Jim and Olivia continued to see each other after they returned to Los Angeles. On one occasion, Stewart arrived at her Spanish-colonial house in the Hollywood hills driving his brand-new La Salle convertible. She was impressed until the automobile began making a weird groaning sound and they started rolling down the hill. The brakes had failed! Jim took off in pursuit, but the La Salle picked up speed down the incline, denting other cars and ruining curbside shrubbery along the way. Finally, it crashed into a telephone pole. Naturally, Stewart, who had been trying to impress his date, was terribly embarrassed, but she laughed and thanked him for the entertainment. They then continued their evening as planned - in her car.

Around the same time, actress Maureen O'Hara remembered having dinner one night at de Havilland's house. A fish that Stewart had caught was the main course. It was fine, but they decided to play a prank on him by telling him it had made them sick. "But he didn't pay the slightest bit of attention," O'Hara recalled, laughing. "He knew."

The 12th Academy Awards, honoring films in 1939, was held on February 29, 1940 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles. Olivia and Jimmy were both nominated for Oscars. Jimmy was up for Best Actor for Mr. Smith Goes to Washington (He lost to Robert Donat in Goodbye Mr. Chips) and Olivia was up for GWTW.

Below: footage from the Oscar ceremony that night. As you can see, they arrived separately that night at the dinner (I can't tell who their dates are).





The author goes on to describe Joan Fontaine's memories of Olivia and Jimmy, and quotes her autobiography, No Bed of Roses.

[Joan] remembered inviting her sister and Stewart to dinner to mark de Havilland's birthday. "Two hours after the time they were asked for," Fontaine wrote, "Olivia and Jimmy rang our bell. When I remonstrated that the dinner as hardly palatable any longer, Olivia answered, 'It's my birthday. I can arrive whenever I like!'" Ha! Ha!

De Havilland was in all probability the first woman that Stewart ever seriously considered marrying. After all, she was well-bred, college educated, and refined-all qualities that he desired in a wife. He did, in fact, propose, although de Havilland would later say, "I think his offer of marriage was just a frivolous thing on his part. Jimmy wasn't ready for a wife. I guess he still had a few more wild oats to sow." The exact nature of their relationship never became public, but the Hollywood press used plenty of ink speculating on what was transpiring between the two stars, including the possibility that they might elope in the spring of 1940. Columnist Gloria Hall also reported that Warner Bros., which ad de Havilland under contract, wanted to team the actress and her new boyfriend in a picture, but the stars refused. (The only films in which they both appeared in were 1977's Airport '77 and the TV Miniseries North and South, Book II in 1986) According to the reporter, they gave as their reason that "they would be embarrassed to make love - in public." Thus, de Havilland spent the spring of 1940 making My Love Came Back and Stewart did The Mortal Storm and No Time for Comedy.

Of course in 1940 Jimmy was also busy filming a third movie - The Philadelphia Story, which finished shooting in August of 1940. Once the film wrapped, Stewart helped to organize a benefit in Houston Texas to support Great Britain, then standing alone against the forces of Nazi Germany.

Jimmy was still seeing Olivia at this time.

The benefit took place in August 1940 at the Houston Coliseum. It featured Tyrone Power, Mischa Auer, and Henry Fonda, a longtime friend of Jimmy's. In the show, Fonda and Stewart did a magic trick act together. Stewart also played accordion and Fonda the cornet. Olivia also participated in the show.

Not long before that, Olivia returned to her Hollywood home after location filming on Santa Fe Trail. Away from home, she had been bored and lonely, and missed spending time with Jimmy. The excerpt continues:


According to biographer Charles Higham, "Her only consolation (during filming) was the chance of returning to Stewart on an occasional weekend for flying lessons and romance." (Jimmy was a pilot and loved taking her on trips over southern California and over the sea) Nevertheless, the relationship between the stars had cooled. De Havilland increasingly felt Stewart's marriage proposal was pro forma, that he didn't really want to settle down. Still they continued to date for nearly another year. Then Livvy fell in love with John Huston, the director of her then current film, In This Our Life, and the relationship with Stewart came to an end. By that point, Jim was in the service. (Stewart enlisted in the Army in March 1941)




This post has also been published on Olivia & Joan: Sisters of the Silver Screen.

5/25/2010

Driving Miss Daisy (1989)

This is a critically acclaimed and inspiring film adaptation of the Pulitzer Prize play by Alfred Uhry. It is the story of a temperamental Southern widow (Jessica Tandy) and the relationship she has with her black chauffeur, Hoke (Morgan Freeman). At first you don't know what to make of Ms Daisy, but as the film progresses, you get to know her through how she relates with Hoke, her only true friend.

The DVD has a commentary by screenwriter Uhry, who shares his recollections about the making of this film and how his own experiences with his grandmother shaped the story. The Dan Aykroyd character (as Daisy's son) is loosely based on him. What I found interesting about both the son and Hoke is how patient they are with Daisy throughout the film.

Hans Zimmer's score is rather underrated, I feel; its a lovely piece of music (haunting at times) and really adds to the whole story. Jessica Tandy was born to play this role. I remember watching the Oscar ceremony that year, and seeing Gregory Peck hand her the trophy for Best Actress. It was a great moment; Tandy had been a film and stage star for many decades. One of the most moving scenes is toward the end of the film, when Daisy is watching Martin Luther King Jr. speak live in person. In that scene, you could feel how his words are making an impact on her.

The art directors and set decorators deserved the Oscar nomination for their detailed work. Just look how they recreated the era:



Once again, director Bruce Beresford allows the scenery to be one of the major co-stars.





1948: A theater shows "Scudda Hoo! Scudda Hay!" starring June Haver and Natalie Wood.












5/23/2010

Upcoming trip to New Orleans & The South

I wanted to share with y'all what my friend and I are planning to check out this weekend on our road trip from Tallahassee to Baton Rouge. Let me know if you have any recommendations, whether it be good cajun eats or things to see along the way.

New Orleans, Louisiana

French Quarter, Royal Street, 632 St. Peter Street (where Tennesee Williams wrote "Streetcar Named Desire"), Bourbon Street, Jackson Square, Pharmacy Museum, National WW2 Museum, Sites hit by Hurricane Katrina (bus tour)

Baton Rouge, Louisiana

Lousiana State Capitol (old and new)
USS KIDD battleship and Veterans Memorial (portions of "Run Silent Run Deep" featured the ship), Ralph & Kacoo's seafood

Biloxi, Mississippi

Biloxi Light House

Mobile, Alabama


USS Alabama (setting of the movie "Crimson Tide")
Saenger Theater (golden age movie house)

Bayou La Batre

Where Forest Gump's friend Bubba was from

Dauphin Island

Historic Fort Gaines, site of Battle of Mobile Bay

Pensacola

Pensacola Lighthouse

Tallahassee (time allowing)

Governors Square Mall
State Capitol Building
Florida State University
College of Motion Picture Arts
Antique Car Museum
Po' Boys restaurant

New Orleans & the movies


----------------------------------------------------------------------
Movies that take place in New Orleans, Louisiana
----------------------------------------------------------------------
Belle of the Nineties (1934) Mae West
Naughty Marietta (1935) Jeanette MacDonald, Nelson Eddy
Banjo on My Knee (1936) Barbara Stanwyck/Joel McCrea
Jezebel (1938) Bette Davis, Henry Fonda
The Buccaneer (1938) Fredric March
The Cat and the Canary (1939) Bob Hope, Paulette Goddard
The Flame of New Orleans (1941) Marlene Dietrich
Lady from Louisiana (1941) John Wayne
Birth of the Blues (1941) Bing Crosby, Louis Armstrong
Flesh and Fantasy(1943) Barbara Stanwyk
Christmas Holiday (1944) Deanna Durbin, Gene Kelly
Saratoga Trunk (1945) Ingrid Bergman, Gary Cooper
New Orleans (1947) Billie Hollida, Louis Armstrong
Docks of New Orleans (1948) Roland Winters as Charlie Chan
Lulu Belle (1948) Dorothy Lamour
Panic in the Streets (1950) (below) Richard Widmark







Buccaneer's Girl (1950) Yvonne DeCarlo
The Toast of New Orleans (1950) (below) Kathryn Grayson, Mario Lanza






A Streetcar Named Desire (1951)(below) Brando/Vivien Leigh





My Forbidden Past (1951) Robert Mitchum, Ava Gardner
Glory Alley (1952) Leslie Caron, Louis Armstrong
The Iron Mistress (1952) Virginia Mayo, Alan Ladd
Abbott and Costello Go to Mars (1953)(below)

Bud and Lou think they are on Mars, but it's actually New Orleans.



The Mississippi Gambler (1953) Tyrone Power
New Orleans Uncensored (1955)
Davy Crockett and the River Pirates (1956) Fess Parker
Nightmare (1956) Edward G. Robinson, Kevin McCarthy
King Creole (1958) Elvis, Walter Matthau
Mardi Gras (1958) Pat Boone
The Buccaneer (1958)
Louisiana Hussy (1959)
Suddenly, Last Summer (1959) Taylor/Hepburn
Walk on the Wild Side (1962) Jane Fonda, Laurence Harvey
The Cincinatti Kid (1965) Steve McQueen
Hotel (1967) Karl Malden
Easy Rider (1969) Peter Fonda
Number One (1969) Charlton Heston
Last of the Mobile Hot Shots (1970) James Coburn
Live and Let Die (1973) Bond
Hard Times (1975) Charles Bronson, James Coburn
Let's Do It Again (1975)(below) Bill Cosby, Sidney Poitier





Sidney Poitier and Bill Cosby visit Jackson Square in New Orleans



In the French Quarter






French Quarter (1977) Virginia Mayo
Pretty Baby (1978) Brook Shields
Tightrope (1984) Clint Eastwood
Down By Law (1986)
French Quarter Undercover (1986)
The Big Easy (1986) Dennis Quaid
Johnny Handsome (1989) Mickey Rourke
Undercover Blues (1993) Kathleen Turner
Interview With the Vampire (1994)
Dead Man Walking (1995) Susan Sarandon
Down in New Orleans (2006)
New Orleans, Mon Amour (2008)
Bad Lieutenant: Port of Call New Orleans (2009)
The Princess and the Frog (2009)(below)



I watched this movie the other night; it's OK. The story isn't the most original one. But the music and songs are great! As is the animation. Top notch 2-D.









Even this animated gumbo looks good!


5/22/2010

Heroes for Sale (1933)

Richard Barthelmess plays Tom, a returning WWI veteran who experiences a series of unfortunate events - including a prison term - as he adjusts to civilian life. Without giving it all away, one of his struggles involves an addiction to morphine. How the character overcomes the addiction - and what he decides to do with his life - becomes fascinating storytelling that will leave you captivated from start to finish. The film is only 71 minutes, but it feels like 2 hours.

Tom finds his way to Chicago in the mid 1920s. He meets some interesting characters in a family-run soup kitchen (Charles Grapewin is the father; playing his daughter is the wonderful Aline MacMahon, who falls love with Tom from a distance). They are so much fun to watch. Loretta Young brings some romance to the story, and she is so lovely in this; there's a tender and humourous love-at-first sight moment.

Throughout the film are scenes that were considered heavily political for its time, including a scene of an angry mob and several Red Squad sequences. One character espouses a number of communist sympathies, yet over time he evolves, which is interesting to watch. It's as if the character was written to represent various political extremes under certain circumstances.

This movie reminded me of The Best years of Our Lives, the widely acclaimed film that defined the experience of returning American vets after WWII. Heroes For Sale has similar themes, and is one of the few films dealing with returning WW1 vets. References to newly elected president Roosevelt, lots of authentic signs and billboards: "Keep Moving: No Work Here". This is the kind of film that has the stories that your grandparents or great grandparents might tell you if they were in America during this time.

Directed by William Wellman. Highly recommended. Available on DVD in the box set series, "Forbidden Hollywood Volume 3". For another perspective, the blog Movie Classics has a great review of this film here.




5/19/2010

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