The Farewell (2019) and The Meddler (2016)

I recently watched The Farewell, which got great reviews last year and is commended as one of the top films to see of the year. I join in on the praises; I loved this film. I read that it is a semi autobiographical film about the writer-director Lulu Wang, and that the characters in the film are inspired by her and her relationships with her family and grandmother. The film is told from the main character's point of view (played by Awkwafina) and how she deals with accepting the sad news that her grandmother has a terminal illness.

A film about that alone would be enough to hold my interest, however the film is more complex and introduces many cultural complexities. The grandmother lives in China and speaks only Chinese, and fosters a strong family pride --- the actress who plays the grandmother is really fantastic, and deserves award recognition. In the film, you learn how this family's ways are very traditional, and how things are done in a traditional way -- for example how terminal illnesses are not talked about honestly and openly, and how secrets are kept.

These are relatable issues that many Americans or those in the West can understand if they have strong ethic family ties. I have some Eastern European in my family heritage and the immigrants and first-generation families were often very traditional just as this family. I liked all of the family dinner scenes, and seeing the family dynamics. There's one scene where the grandmother is commenting on how long a young couple about to married has been dating, and says (paraphrasing), "We can't let people know they've only been dating a few months...we have to say at least 6 months to a year....appearances matter...we can't have people talk about us".

That's just like in my family how older relatives think and behave. So concerned about what people think.

Awkwafina's character (an American) challenges some of this thinking, but also is respectful and goes along with some of it to keep the peace. I think that's the challenge that we need to face sometimes when it comes to family politics. I know that's what I have to do.

Kudos to the director and cinematography; I really like her style of directing and how realistic-looking the film is. This is the kind of movie that engages me and keeps me invested all the way through.

The Meddler is another very good movie about a family, directed by Lorene Scafaria. It's also semi-autobiographical -  a mom-daughter movie because it primarily focuses on the mom (Susan Sarandon) and her daughter (Rose Byrne); the director has said in interviews that the characters and events are based on true situations of herself and her own mom, who moved closer to her in Los Angeles when she became widowed.

Susan Sarandon is great playing an Italian-American from New York - Marnie Minervini - she's more liberal than traditional -- the opposite of the grandmother in The Farewell. Marnie desperately wants to start a new life. To do new things. To experience things she's never done. She's curious about iPhones and iPads and technology and loves to talk to any stranger she meets.

The film is -- unfortunately in my opinion -- called "The Meddler"  because that's how her daughter sees her, as a meddler; Marnie come across as being a busybody always calling/texting and wanting to spend time with her....when in fact, she's just lonely. My favorite sequence in the movie is a scene where they are together in a restaurant. The camera pans across several other tables with couples on dates until finally resting on the mom-daughter's table. I liked that because it expresses how the daughter wishes they both had separate lives apart from always hanging out together. That one shot really gets the point across well.

Eventually, by the end of the movie, that does happen - the mom does "get a life", and I liked seeing the evolution of her character. I liked the cop-boyfriend character played by JK Simmons who is really charming.

Another thing that I liked about the movie that is kind of different from other "movie moms" in the mom is independently wealthy, as a widow with an inheritance. So she basically has all the money she needs to live on for the rest of her life, a situation that is different from alot of other mom characters I've seen in movies; I can't think of another movie mom character quite like this one. The movie treats the mom respectfully and doesn't criticize her for having money....rather it explores what a person can do with their life and help their community to make it a better place if one were in her situation. She's not a woman who is using her money to exploit people, to do drugs, or to gamble it away.

It's a really interesting character, and a terrific performance by Susan Sarandon; I don't know why she was overlooked for award recognition that year. This is probably one of my favorites of all her movies and all roles. It's fantastic that she got to play this part.

And well-directed, too. Even-balanced showing us the mom's and daughter's perspectives.

As for the title, it's not the best title in my opinion - should have been called "Marnie and Lori". Or "Marnie's Adventures in Los Angeles". Or something similar. I think this film has the potential to become a real classic in years to come as more people see it.

More thoughts on these films:

Cinemascope blog (The Farewell) post here

Coco (2017)

Dia de Los Muertos is Spanish for Day of the Dead, and always is celebrated in the two days after Halloween. Originating in Mexico and celebrated around the world today, it is a multi-day commemoration to celebrate the multitude of ways the living and dead can connect --

•     by telling stories about loved ones in our lives that are no longer with us
•     by displaying their photos on an "ofrenda" (elaborately decorated altars with flowers and candles and cherished family mementos)
•     by celebrating life with delicious food, brightly colored decorations, and festive gatherings.

Examples of food that are enjoyed include "pan de muertos" (bread of the dead), which is a tasty baked sweet roll, and atole, a hot drink of masa, water, cinnamon, sugar, and vanilla.

Coco is a fantastic movie that captures of the essence of why people celebrate Day of the Dead. It's an animated music-filled comedy adventure, which takes place on Dia de Los Muertos in a town in Mexico. The story focuses on young, aspiring musician Miguel who manages to "cross over" into the land of the dead; he also meets his ancestors who he knows about from the photos on his family's ofrenda and from the stories that have been passed from generation to generation. His oldest living relative is his great-grandmother Coco.

I first watched this on DVD in 2018, and now enjoy watching this movie every year or so because it not only helps me understand why families celebrate Dia De Los Muertos but also reminds me of my own relatives and loved ones that have passed away and that I miss. 

It stirs my imagination and makes me think of what the afterlife could be like. It also gives me some encouragement that injustices that aren't settled on Earth can be worked out in the afterlife, and subsequently resolved on Earth. I'm referring to the character of De La Cruz the world-beloved singer that has evil secrets that should be exposed. 

I highly recommend this movie if you haven't seen it. (Available on Disney+, DVD/Blu-Ray, and may be available from your local library). 

Surrender to the Void blog here

A Slate Article here "A Gringo’s Guide to Coco"

An article from Mental Floss blog here - "11 Facts About Día de los Muertos "

Another post from Order of the Good Death here - "Your Guide to the Movie Coco"

The Shootist (1976)

Wayne plays aging gunfighter who travels to a small town to visit an old doctor friend played by Jimmy Stewart who tells Wayne that he only has a few months to live.

Wayne decides to stay in the town to live out his last days.

He rents a room from Lauren Bacall who has a young son (Ron Howard).

Wayne's old enemies find out he's camping out in the town and decide to offer him one last challenge.

The movie is filled with some pretty cool shootout scenes, and gets rather bloody at times.

Kind of reminded me a little of Clint Eastwood's Unforgiven, a better movie.

Also starring Hugh O'Brian, Scatman Carothers, and Gene Barry, who passed away on Dec 9 2009.

Steel Magnolias (1989) and Educating Rita (1983)

Last year I went to see the stage play of Steel Magnolias at a local repertory theater, and I loved comparing it with it's 1989 film counterpart. In the case of Magnolias, the film -- in my opinion -- is far better than the stage version. For one thing, there's no way you can top a cast like Sally Field, Shirley MacClaine and Julia Roberts. Also, I love how the movie breaks out of the beauty shop and explores the entire town and introduces the viewer to all the other people in the women's lives, including the suitor who charms Shirley.  And I loved Shirley's dog in the film; a nice touch. And this has got to be one of of Dolly Parton's best movie roles and the part suits her well.  A few years ago, another TV-film version came out starring Queen Latifah and Alfre Woodard and is on my to-see list.

Another stage play I saw recently was Educating Rita; I had seen the 1983 film version, one of the first movies I ever watched on a VHS tape. If you don't remember that movie, it's about a middle age professor (Michael Caine) who tutors a young, unschooled married hair stylist (Julie Walters) who dreams of becoming more cultured; in the process they change each other's lives (a premise reminiscent of Pygmalion or My Fair Lady). It's an inspiring tale, filled with witty dialogue and many references to great literature. The movie version is delightful - Caine and Walters are top-notch and deserved their Oscar nominations. And I like how the movie breaks out of the professor's office setting, taking you inside Rita's house and inside the saloons where the professor frequents. However, the movie feels dated, especially the synthetic music score. On stage, it's a different experience - only the two main characters; in the production I saw, the actors were outstanding, especially the actor who played Rita, a challenging part that she knocked out of the park. I hope she gets some local award recognition. Alas, this may be an example of where there play is actually better than the film.

Son of Saul (2015) and Hail Ceasar! (2016)

Son of Saul is a  Holocaust story, set in the Auschwicz concentration camp in Poland. It's sad, but a very well made film, directed by directed by László Nemes.

Saul is a Jewish prisoner forced to worked in a crematorium.
As he attempts to give a dead child a proper burial, he finds out that the child may or may not be his son.

As he continues to uncover the truth, he learns that either situation is likely.

The man risks his life devoting himself to the cause of a proper burial, especially during an uprising of the camp that causes many in the camp to doubt his loyalties.

The director's style is impressive; the entire film is told from Saul's perspective, with the camera focused on him the entire time, even when there's horrible violence taking place in the background of the frame.

Read a blog post by Cliched Monologues on this film here.

Read a blog post by Avvaganda.com here

Read a blog post by Korova Theater here

Another film I saw this past week was Hail Ceasar! directed by the Cohen brothers. The trailer showed some snippets of what looked like homages to old Technicolor movies of the '40s and '50s, which really intrigued me. I've seen some of the Cohen Brothers films but not all, so wasn't sure what to expect.

It's an ensemble comedy satire, and focuses on Josh Brolin's character, a Hollywood "fixer" who keeps actors' scandals out of the press. We meet some of the actors he helps, including George Clooney who's playing a Roman soldier in a Biblical epic called "Hail Caesar" (with dialogue very much - almost identical - to Ben Hur); his character is kidnapped by Communists. Yes, it's absurd. There's also a submarine in it. You have to see it to believe it.

The movie also spoofs musicals, westerns, and melodramas, as well as gossip columnists, communists, and censorship boards. There's a musical number with sailors in the bar; Channing Tatum is supposed to be playing a Gene Kelly-type sailor (like from Anchors Aweigh). I liked that the song used was an original piece, not a copycat number from a real '50s musical; kudos to the songwriters.

I have to say that George Clooney in the Roman solider uniform really looks as if he could play the part in a Roman epic from that time period.

The movie is pretty entertaining. A little crazy, but entertaining.  I enjoyed it.

Here's another review, from a blog about biblical epics.

Bobby Rivers wrote about this movie several times on his blog. Read the posts here:
Post 1 | Post 2 | Post 3

Gloria (1980) by Cassavetes and Trucker (2008)

At the beginning of Gloria, a young boy escapes from the mob after his entire family is killed; the killers want the boy, too, but Gloria (Gena Rowlands) steps in to protect him.

The movie was filmed entirely on location in New York, which is almost a third main character.  At one point I caught of glimpse of a Barnes and Noble bookstore, which was neat to see. And in the subway there's a billboard for a radio station with Kenny Rogers' picture on it (he was a big deal in that period of time).

It took some getting used to the actor who plays the orphan. As I understand, the child was not a professional actor, and not the best actor, either. Apparently he "won" a "Razzie" for Worst Supporting Actor that year, unfortunately.  It really does feel like the child was miscast, and he usually feels unprepared and unmotivated to act or deliver his lines. However this might have been a smart casting choice on the part of director John Cassavetes. Since the character's entire life is shaken to its core in a matter of minutes, there's an edge to the boy, and after awhile I got used to him.

In Peter Bogdanovich's book "Movie of the Week", Peter talks about how John Cassavetes - the film's writer-director - originally wanted Peter to direct and Barbra Streisand to star. Barbra didn't want to do it because she didn't think anyone would believe her in the role.

Gena is great Gloria, a complex character that is fascinating to watch. There's a touching scene in the middle of the film when Gloria takes the young boy to a cemetery and teaches him the importance of saying goodbye. She says to him (paraphrasing), "Your parents are not here, but you can still talk to them here. Pick any stones - those look like nice ones. Say whatever comes to your heart". The scene made me break down emotionally. Gloria cares about the boy even though she's connected with the mob herself.  She has a sense of decency.  The ending of the film is also a tearjerker.

I also watched another movie with a similar mother-son theme, Trucker from 2008. It stars Michelle Monaghan as a young trucker who is reluctantly reunited with her 10 year old son when the father becomes terminally ill.  After a number of arguments, the two both learn to accept each other. This film also has a few heartbreaking scenes including one involving the sick dad (Benjamin Bratt) trying to explain to his son he is going to die.  I recommend this movie, which co-stars Nathan Fillion as an unhappily married man who loves Michelle.

Here's a 2023 review of this movie from the blog Laura's Misc Musings. 

Another review from Flickers In Time (blog)

The Age of Adaline (2015)

Blake Lively impressed me in Age of Adeline.
I have not seen any of her films or TV shows except
for Green Lantern, where she was outshown by the
superheros and visual effects.

Blake Lively plays a 100+ year old woman, Adaline, "trapped" in a young woman's body. But this is not a vampire film. The opening scenes attempt to explain it all with a dramatic voice narrator (sounding like a Bill Kurtis documentary) detailing her plight with enough scientific lexicon to confuse me into suspending my disbelief. If I can believe people survive near-fatal car crashes in Furious Seven, then I can bend a little on this premise too.

And I like the premise, the stuff of novels. But this is an original screenplay. Ellen Burstyn plays her daughter. Yes her daughter! And to great effect - when they talk to each other it really feels like it. Blake dresses, talks, and thinks like an "old soul". Her apartment has a vintage flair, and would likely be a person who loves the classic movies that we all enjoy and love so much.

I like how the film explores memories and aging, as well as having to conceal your true identity and be on the move.  The film Benjamin Button explored some similar ideas, but I found that film to be depressing and ultimately unsatisfying. This movie is much better.

I also like how the movie deals with her having to hide from the world. Only her daughter knows her secret. She can't tell anyone - or can she? Can she really trust another soul? Can she be herself? Will she ever stop hiding?

Harrison Ford is excellent as a man who thinks he remembers meeting Adaline years ago. I love this part of the film, but it comes near the end. Don't go to the movie expecting to see Ford right away.
Kudos to Blake Lively for pulling off this role. Also with Kathy Baker and and actor I'm not familiar with, Michiel Huisman.

Nebraska (2013) and I Never Sang for My Father (1970)

I recently watched two intriguing films about complicated father-son relationships.  I would recommend both films; I think they'd be especially enjoyed by anyone who has had experience caring for an elderly parent.

The first is 1970's I Never Sang for My Father, which recently aired on Turner Classic Movies.  It's a serious drama that explores the themes of aging and death. Gene Hackman plays a widower who wants to move out of state and remarry. He's torn between moving and staying to care for his elderly father played by Melvyn Douglas.

Melvyn Douglas' character is a stubborn and proud man. We learn he used to be a politician and was very well-known at one time. He's the kind of man that will talk your ear off. Now in his 80s and a widower, he has very few friends, and often falls asleep watching westerns on TV.  He's not entirely sympathetic - we learn he and his daughter (Estelle Parsons) are estranged because of his disapproval of her husband.  And he treats Hackman like a child, and keeps making him feel guilty by saying, "I don't know what I'd do without you".

The movie has two sequences that I've rarely seen in the movies. One scene shows Hackman and Douglas shopping for funeral caskets (for Hackman's mother who just died). Another scene shows Hackman visiting different nursing homes to see if they would be right for his dad. He sees many lonely people by themselves, and he's filled with so much guilt.

It's a very quiet film, and really makes you think about these people, particularly Hackman's character, and how he handles the cards he's been dealt.

The other film is a bit more lighthearted: last year's Nebraska (2013), which is a quirky - and occasionally raunchy - comedy starring Bruce Dern as an elderly man suffering from early stages of dementia. His character is very different from Melvyn Douglas'; Dern is much more of an "average guy", and is much more of a quiet man who doesn't talk much.

But Dern is stubborn nonetheless - and is determined to claim a winning sweepstakes prize in Nebraska. His son is played by Will Forte and the two men go on a road trip to claim the prize. I really enjoyed these scenes of the two men bonding. At one point they visit Mount Rushmore and Dern is unimpressed. Then the best part of the film has the two pass through Dern's old hometown in Nebraska, where they meet many of his old friends including Stacy Keach, who teases him about the prize. There's even an old flame of Dern's that Forte meets, which makes him see a different side of his father.

The movie kept me in suspense to find out what happens at the end when they try to claim the prize. I was very pleased with the outcome of the movie, and I felt uplifted and inspired at the end.

Both movies have elements that reminded me of people in my own family and real life situations.

Read another blog post about Nebraska here from Avvaganda.com

The Accidental Tourist (1988)

"William Hurt gives an exquisite performance as a man shattered by the death of his son, who comes out of his shell when he meets a kooky, aggressive young woman (Geena Davis) who couldn't be less his type. Finelhy wrought, extremely faithful adaptation of Anne Tyler's novel dares to take its time; may be too slow ffor some viewers, but offers many rewards." (from Leonard Maltin's Movie Guide).

I think Leonard Maltin is right, that many viewers won't like the slow pacing. But that's exactly what I love about the movie. It was such a refreshing respite from the loud, shaky-cam, crashing and GCI explosions of some recent superhero blockbusters.

Also I like the premise that the William Hurt character - Macon Leary - is a writer of travel books for business travelers. The movie starts off kind of sad, with his marriage dissolving with his wife (Kathleen Tuner), but then he meets Geena Davis' character who brings a bit of spark back into his life.

Geena Davis, as the dog trainer to Macon's dog,  won the 1988 Oscar for Best Supporting Actress, but her role could be considered a lead role. I love the dog in this movie, which was the same dog that was in the 1990s TV show Dharma and Greg.

Also there are some nice scenes of Baltimore (the film is set there and was filmed there).

A less-interesting (but still entertaining) subplot in the film involves Macon's sister (Amy Wright) falling in love with his boss, a book publisher played by Bill Pullman.  His sister and and his two brothers (Ed Begley Jr and David Ogden Stiers) are portrayed as being a bit more eccentric than he is.

Directed by Lawrence Kasdan. Nominated for Best Picture of 1988.

Ellen Burstyn in Resurrection (1980)

After an severe auto accident, Ellen Burstyn's character has a glimpse of the afterlife while she is be operated on in the hospital. She experiences "seeing the light", which many people report when they are near death.

Unable to walk, she moves in with her father and grandmother (Eva Le Gallienne) and begins a new life in a new community. She meets other sick people in town and discovers that she is able to heal their illnesses, and is also able to feel the pain of their sickness as well. Her legs also miraculously heal.

The grandmother attributes the phenomena to the work of a higher power. Ellen is skeptical; I like the line where she says "I'm not the Holy Ghost...and I'm not exactly the virgin Mary either!" That's about as comedic as the film gets, as it's more drama than comedy.

Some of the townsfolk are skeptical as well, and psychologists want to run tests on her. But she wants to help the community, and even sets up revival-style tent meetings. Well-intentioned, she never exploits the people.

I've been wanting to see this movie for a long time, and it is now available to watch online streaming on Youtube. Ellen Burstyn delivers a good performance; the film is all about how her character deals with the new situations she is faced with after the car accident that kills her husband. Does she really have the power to heal? Well, the movie actually leaves it open for you to decide. I personally don't believe in faith healers, but I do believe that certain healings are sometimes unexplained. Ellen's character even says, "I can only heal 30% of the time". 

Maybe that's the point of the movie, to think about what causes this phenomenon. 

I think a 1990s movie with John Travolta called "Phenomenon" was somewhat similar, but I haven't seen that movie. It might make for a good double feature with this one.

Co-starring Roberts Blossom (Home Alone) as her father and Sam Shepard and Richard Farnsworth as kind townsfolk. A great cast!

Daddy Nostalgia (1990)

At the start of this heartwarming drama set in the French Riviera, Dirk Bogarde's character has just had a serious heart operation. His wife is worried about how he will fair after the surgery, and asks daughter Caroline (Jane Birkin) to come from Paris to help for awhile. In a private spat with her mother,  Caroline asks why she is always called upon instead of her sister whenever there is a family emergency. Her mother replies: "because she's in Quebec".

When Daddy comes home to recuperate, Caroline - a writer - ultimately grows closer to her father. And as the title suggests, this movie is very nostalgic, filled with flashbacks and memories of Caroline's childhood years and how she remembers her father.

It's an often-emotional film about an adult daughter and her ailing father, touching on issues dealing with life and death. It is a pleasure to watch Mr Bogarde perform in this, his final film. The film is dedicated to director Michael Powell, who passed away when the film was released.

This French-produced film is half in English and half in French; the actors - fluent in both - often switch from one language to the next. Available on DVD.

The Descendants, Young Adult, The Muppets (2011)

The Descendants

Very good film, but sad. Set in Hawaii. George Clooney's wife is comatose after a boating accident.

Clooney must explain to his two estranged daughters, one age 17 and the other age 10. They are mean and bratty at first, but they mature as their mom's condition deteriorates and they grow closer to their dad.

Clooney is good. The scene when he discovers that his wife was having an affair with another is heartbreaking.
Clooney knows how to make this character sympathetic and real.

Later in the film, Clooney and his cousins must settle a real estate deal with land given to them by their ancestors; they are the titular descendants. This is a serious movie, and explores how these characters deal with their greif and pain. The director Alexander Paine knows just when add a dose of humor. A very moving film filled with great regional music and great scenery throughout.  Co starring Robert Forster and Beau Bridges.

The Muppets was much better than I expected.  Very nostalgic, with references to 80s pop culture and songs, past Muppet movies, and the original Muppet Show TV series, which was filmed in London. I liked how they even got one of the original hosts of the show to have a cameo, Alan Arkin.  I give the writers (including Jason Segal) credit for bringing back the Muppets.

The movie's story centers around "the world's biggest Muppet fan"  Walter, and his desire to see the Muppets back together again. (My interpretation of this odd character is that Walter is supposed to represent any Muppet fan) According the story, the Muppets have all gone their separate ways---Scooter works for Google, Inc,....Sam The Eagle works for a network news show...etc.  Kermit and Miss Piggy still have their "on-again/off-again" relationship and it's amusing to see them together again. There are some very funny moments and the jokes are witty and fast paced, continually breaking the fourth wall.  According to some reports, the film was edited down considerably --- and it shows; some celebrity cameos go by too quick and are less-than inspired.  For example, rather than seeing just a 2-second glimpse of Mickey Rooney, it would have been neat to see him encourage Kermit to go "put on a show" or have some related dialogue.


Young Adult

Directed by Jason Reitman (Up In the Air, Juno, two movies that I liked). And written by Diablo Cody. With this writer-director team I felt this would be a very interesting movie, and it is. In a nutshell, Young Adult is a character study of an alcoholic, single thirtysomething writer (Charlize Theron) who finds inspiration for her young adult/teen novels from her own experiences. She lives alone with her cat in her big-city high rise apartment and watches reality television when she has writer's block. One day, an email from an old flame inspires her to return to her hometown and rekindle the relationship. Well, perhaps rekindle isn't the accurate term...she actually wants to steal him away from his wife and kid! She also manages to bump into several other people from her past and we learn more about her through these characters. For example, we learn midway through the film that she was the prom queen of the high school, and was once the most popular girl in school. Now, she's an outcast with unrealistic expectations about life and relationships. By the end of the film, she's ready to head back to the big city of Minneapolis to start all over again. There is no epilogue; we can only imagine what her life would be like, a good way to end this film, I think. 

Another Year (2010)

I saw this movie the other night. It's great. About a London couple (Jim Broadbent and Ruth Sheen) and the various characters in their life.  Tom (Broadbent) is a geologist who has a few more years before retirement. He enjoys golfing with his friends and gardening with his wife (Sheen) in a communal garden (they are always bringing home vegetables) Both love to cook, so there are a number of scenes where they are cooking for friends and family. In fact, the movie is split into 4 acts divided by the seasons.  There's always a lunch or dinner scene in each act. It's pretty cool.

Ruth Sheen and Jim Broadbent are a
loving and devoted couple who make time for
family and friends

The couple have a 30-year old son. People are asking whether or not he has a girlfriend. Does he have a secret? Gerry (Sheen), a psychologist, has a co-worker (Leslie Manville) who doesn't have many friends or family, so she's always dropping by their house. She's single, lonely, and enjoys a few drinks. But does he have more serious problems? Director Mike Leigh doesn't let us know the full stories of these characters right away. We must watch the entire film. It's captivating. The characters in this movie are so real; they reminded me of my own family. And the acting seems so natural, even improvised, which is what I love about his movies Secrets and Lies, Vera Drake, and Happy Go Lucky.  Leslie Manville is just incredible in this; she won several awards for her amazing performance, including a BAFTA nomination.

Another Year is a quiet, serious adult drama, delightful and fun at times, and even heartbreaking at times.  I highly recommend it.

I saw this Monday night at the Tivoli Theater, an old-fashioned downtown movie house in Downer's Grove, IL

If you saw the movie Happy Go Lucky, do you remember the flamenco instructor?

Well the actress who plays her has a small role Another Year 

Here is a funny scene from Happy Go Lucky featuring the dance instructor.




Read another review from Mike's Movie Projector

Another blog post by Cliched Monologues

Dark Victory (1939)

First watched in 2006. Bette Davis plays a young socialite with a passion for living life to the fullest. (The trailer declares: "She's everything a woman can dare to be!")

Her main passion is horse riding, and there are some great stallion riding sequences. Some of her friends include Ronald Reagan, Humphrey Bogart, and her best friend Geraldine Fitzgerald, who encourages her to see a doctor after she experiences a series of headaches.

Her vision also begins to deteriorate gradually. Bette Davis's performance is great, and emotional. It's a demanding role.

She's supported by her friends and the brain specialist who treats her, played by George Brent, who becomes her lover, though Humphrey Bogart later reveals he's loved her for years. This is definitely Bette Davis at her best. Directed by Edmund Goulding.

This is a favorite movie of blogger KC of A Classic Movie Blog.