Karl Freund, the legendary cinematographer (Metropolis), tried his hand at a musical with this 1933 feature, which is Busby Berkeley-esque. The story begins in a small town with an aspiring songwriter (Roger Pryor) who writes a love song for his crush, a record store clerk (Mary Brian). He sells the song, and it becomes a huge hit. Roger then moves away from his small town and heads to Broadway, seemingly forgetting his roots - and his crush back home. I liked the scenes where she comes to audition for his new show (titled "Moonlight and Pretzels") and tries to rekindle his memory of her. Much of the rest of the film deals with the production and financial aspect of the show, which I didn't find that interesting, and the humor is lost in the second half. The movie ends with a big finale from Roger's show dealing with the Great Depression. You can watch it here:
11/29/2011
Moonlight and Pretzels (1933)
Karl Freund, the legendary cinematographer (Metropolis), tried his hand at a musical with this 1933 feature, which is Busby Berkeley-esque. The story begins in a small town with an aspiring songwriter (Roger Pryor) who writes a love song for his crush, a record store clerk (Mary Brian). He sells the song, and it becomes a huge hit. Roger then moves away from his small town and heads to Broadway, seemingly forgetting his roots - and his crush back home. I liked the scenes where she comes to audition for his new show (titled "Moonlight and Pretzels") and tries to rekindle his memory of her. Much of the rest of the film deals with the production and financial aspect of the show, which I didn't find that interesting, and the humor is lost in the second half. The movie ends with a big finale from Roger's show dealing with the Great Depression. You can watch it here:
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