Before the opening credits, the director (Michael Verhoeven) explains that the characters are fictional.
The story, however, is inspired by true events, as noted on Ted's blog Just a Cineast earlier this year.
The movie is narrated by the lead character, thirty-something Sonja (Lena Stolze), who speaks directly to the camera as though she's a reporter. Kind of similar to what Michael Caine's character does in Alfie.
The stories she tells are all flashbacks, which makes the film feel something like a docu-drama.
Sonja tells stories about her strict Catholic upbringing in Bavaria and about her mom and dad, both teachers. In one funny scene, Sonja (as narrator), is interrupted by a group of unruly teens and she quips how she was raised very differently. Then we see a scene of her as a young teenager, presumably in the early 1970s. It's remarkable how she can convincingly play a young teen and an adult. The early flashback sequences are in black-and-white, and then switches to color when she comes of age.
Most of the film is a recollection of her high school years the history assignment that changed her life forever. Sort of like Nancy Drew, she goes on an investigation, interviewing numerous people about her town's Nazi past. In the process, she uncovers some old wounds that the townspeople would rather not deal with. In her determination to uncover the facts, she develops a reputation of being a "nasty" girl. Ultimately her school project turns into a lifelong passion.
Despite the serious subject matter, the film has a lighthearted tone, and lots of quirky comedic elements that some critics - including Roger Ebert - found confusing. But the style was OK with me. The pacing, the direction, and the editing of this film are done well.
No comments:
Post a Comment