Star Wars: The Rise of Skywalker (2019)

So I did go to see the latest, and liked it, but didn't love it. It was OK. I thought it was better than the last. Spoilers ahead (don't read if you haven't seen yet).

My favorite parts are when C3P0 loses his memory and when Chewie gets Leah's medal at the end. I also liked seeing Han Solo (Harrison Ford) come back as a force ghost and I liked seeing Kylo Ren turn to the force/the good side. That was satisfying. Lando (Billy Dee Williams) was good to see but he's not really in it much. And I liked seeing the Emperor again revealing himself to be the mastermind.

There were alot of things I didn't understand about the movie. I watched Kevin Smith's review (below) and he had pretty much all of the same thoughts I had about things.

I didn't understand the "healing" powers that Rey and Kylo had, and didn't get all the mind-meld stuff and abilities to step into someone's space like when Rey destroy's Kylo's chambers with her lightsaber when she's not there.

Suppose I need to suspend my disbelief on some stuff, though. Oh well.




Now that the "Skywalker" trilogies are done, I'd still watch some other "Star Wars" universe movies.

- Would still like to see a "Solo: Part II" and show more of Jabba the Hutt
- Would like to see more Obi Wan Kenobi adventures
- Would like to see more of Yoda's life in-between Episodes III and V
- Would like to see a dramatization of Luke training Kylo

Lady Bird (2017), Francis Ha (2012), and Mistress America (2014)

Francis Ha is an independent comedy that's filmed in black-and-white--I'm not sure why exactly the director chose black and white, but I like it, and generally I find any modern-day black and white film to be interesting. If I had to guess, I'd say that director Noah Baumbauch wanted to go for a classic movie look, which is OK by me. It's also considered Greta Gerwig's breakthrough role and perhaps the one that got her the most attention, maybe at least from independent film fans. The director had previously worked with her on the film "Greenberg" which I haven't seen yet. Francis Ha puts Greta in the lead, in a comedic role, and it's a simple film, basically just following her character around as she spends time with her friends and romantic interest (Adam Driver) and finding work as a dancer in New York. She also manages to get away and fly to Paris on vacation for two days. Who does that? Francis does. I actually knew someone who did that---go on some overseas trip for a weekend and come back, so I guess it's not entirely implausible. Francis is an interesting character, and funny because Greta is really funny. "Modern Love" by David Bowie is this movie's theme song. A blogger (can't remember who) wrote that they hated this movie, but I don't know why. I liked it alot.

Mistress America is the next film by Baumbach, and also stars Greta in the lead. Her character is almost the same as Frances, and when I watch this movie I think of this as the sequel. I really love this movie and liked it even better than Francis. We first meet the character of Tracy, played by Lola Kirke, who is starting her first year of college. She wants to be a writer. She doesn't know a soul, but she has a relative in New York played by Greta whom she befriends; Greta shows her New York. I love her character because she wants to do so much with her life; teach exercise/spinning classes, open her own restaurant. She has lots of dreams. I love her character because even though she's about 10 years older than Zoe, she's still looking to find her place in the world. The movie has a great soundtrack (You Could’ve Been A Lady by Hot Chocolate is this movie's theme song) and I love the writing. Greta is really kooky but likeable. Another review of this film from the blog Cinema Scope here.

Lady Bird is Greta's first directorial film, and she wrote it is as well (but doesn't star in it). It's semi-autobiographical, though. The lead role is played by Siaorse Ronan, who plays a teenager in high school who is coming of age, and the film focuses in on her last year of high school, climaxing in the senior prom. She has a best friend - I don't know the name of the actress - who decides not to go to the prom and feels like an outcast. I really liked this character, but I liked Siaorse's character too, as she deals with her family, her mom (Laurie Metcalf) and religious/Catholic traditions, and her romance with someone who may not be right for her. The film has a light comedic tone throughout, and reminded me of a John Hughes film of the 1980s like Pretty in Pink or Sixteen Candles; it just seemed to have a similar tone. Also, I imagined this character to be a younger "Frances Ha".

Even though all three of these films are not officially connected with each other, I like to think of them as a trilogy, with Lady Bird being the first movie. Francis Ha would be the second, and Mistress America the third.

If you've seen all 3, what do you think? Do you also see a connection with the three in a similar way?

Under the Sun of Satan (1987) and Silence (2016)

The common thread is that these two movies are about priests. And they both have endings that stuck with me long after seeing them. I'll go into that at the end of each post - spoiler warning.

The first is the 1987 French film Under the Sun of Satan (Sous le soleil de Satan), starring Gerard Depaurdiu; he plays a priest in a small French village. I saw this at a revival screening in Chicago.

Movies about priests can be depressing. This is one of them.

At the very start of the movie, Gerard has a long tedious conversation with his superior (Maurice Pialat - the film's director) who is disappointed in him. Then we see Gerard whipping himself after having sinful thoughts.

Then the director focuses on a different story about a young emotionally tormented woman who may or may not have killed someone.  After a constant struggle with his faith and worthiness, the priest finally meets face-to-face with the woman (which seems to take forever), and we realize that the priest is almost as emotionally tormented to the same degree as the woman.  By the end of the film, the priest is looked upon as a something of a saint by the villagers.

I like the last scene of the movie, when the priest dies in the confessional -- he's laying there dead while Catholic after Catholic pass through and confess their sins, unknowing that a corpse is on the other side of the screen.

There's some deep meaning in that. After all, there are a lot of dead people in churches, even if they are alive.

Another blogger's perspective:

Surrender to the Void

Silence, directed by Martin Scorcese

Silence is also a dark film, but it has a different tone, an epic scale (nearly 3 hours), and set in Japan.

It is 1633 in Japan, and Christians and priests are being murdered and live in fear, as Christianity is outlawed. Liam Neeson plays a priest who survived persecution; he now lives in Japan but has renounced the priesthood. Two of his mentees (Adam Driver and Adam Garfield) travel from Portugal to Japan on a mission to find him, but they risk their lives every day they stay there. They meet a group of secret Christians who befriend them and want them to be their priest. One character they meet continually proves to be untrustworthy. Eventually both of the priests come to a crossroads where they are faced with the decision to renounce their faith.

The focus of the story is on Andrew Garlfied's  priest. We follow him throughout the duration of the film, and hear his narration throughout; frequently commenting on what life is like as a priest, providing a sense of his mind.

Having been raised Catholic and hearing about missionaries of the past who went out to other countries to bring Catholicism, this movie interested me.

The film is based on a book by a Japanese Catholic,  Shūsaku Endō, and directed by Martin Scorsese, also a Catholic who has tackled God and spirituality in some of his other films such as The Last Temptation of Christ and Kundun, about the life of the Dalai Lama. I read somewhere that Scorsese himself wanted to be a priest before he became a filmmaker. I think this film was his way to explore what life as a priest is like. It certainly gave me some further insight into the devotion of such priests.

Essentially what happens in this movie and in the book is that the priests have to renounce their faith, and end up living the rest of their lives in Japan. I'm guessing the book goes into more detail. But we learn that the priests eventually help officials identify Christian symbolism in the society where it is not allowed. I wish the film focused more on this part of the story.

At the end, Adam Garfield's character dies, and he's buried with a Christian cross in his casket, even though he could not practice his religion most of his adult life. It's an interesting image, and profound. Makes you wonder if a person leaves the faith tradition they were raised in, is it still a part of you until you die?