Seeing The Godfather (1972) for the first time on the big screen

My local AMC theater was showing a 50th anniversary screening of The Godfather; I had never need it, believe it or not - only parts of it. 

First of all -- I wish there were an intermission! Movies that are 3 hours should always have an intermission! It used to be a standard thing in the 1950s and 1960s; what happened in the 70s? Sigh. 

But, the movie was good, and emphasizes "family loyalty" in organized crime family. Al Pacino never wanted to be in the family business, but he is drawn in to protect his father at the hospital. His first murder at the restaurant is very suspenseful and dark. It 'feels like this character is being born' says Deep Focus Lens in the video review (see below). 

I need to see Part II and Part III to fully experience the full Saga. I remember when Part III came out but just wasn't interested in it or Part II enough. What bothers me in the film is the racism of the characters; several uses of racial slurs are used and makes these characters very unsympathetic to me. 

But Al Pacino's character is really the focus of the saga. See Siskel and Ebert's review below in honor of the 25th Anniversary. Siskel says the sequence where Al Pacino hides out in Sicily is something that was never seen in a mob film before. I liked this sequence and I think it is my favorite in the film. 

Vlog review of The Godfather by Deep Focus Lens which covers earlier gangster films and how they compare with this film, as well as how it inspires later Italian gangster films like The Sopranos later on.

The trailer for the 50th anniversary show is really cool.

Siskel and Ebert review (1990s)

Misery (1990)

The two lead stars of Misery - James Caan and Kathy Bates - recently reunited for a photoshoot for the annual "Reunions" issue of Entertainment Weekly.

Here's a link to the story and video clip from "The Today Show", featuring the two stars reminiscing about their time on the film:

http://www.today.com/popculture/misery-loves-company-kathy-bates-james-caan-reunite-discuss-1990-t49286

I recently re-watched this movie after almost 20 years, and was surprised how well the movie holds up and is able to thrill even after seeing it three separate times.  Also featuring small roles by the late Richard Farnsworth and the late Lauren Bacall, who are both very good in this.

If you haven't seen this movie before, I recommend it for a good Halloween watch.

Games (1967) starring Simone Signoret, James Caan, and Katherine Ross

Interesting trio of actors

It's a psychological thriller starring Simone Signoret, James Caan, and Katherine Ross. Any movie featuring those three actors really piques my interest. It's one of Caan's early roles. Prior to this movie he terrorized Olivia de Havilland in Lady in a Cage. 

Went to see a screening of this last week at the Music Box Theater, which showed it in 35 MM. The film opens with a neat credit sequence featuring an animated deck of cards. Caan and Ross play a wealthy married couple living in a 2-story New York townhome. The interior of the home is decorated with all kinds of art and arcade-type amusement games such as pinball machines. The couple play host to the kinds of parties that Andy Warhol might attend, and they amuse their guests with bizarre stunts and tricks.

I love this poster.
It seems to exclaim "SHOCKER!"

Character actor George Furth plays a hipster party guest with a 60's perm. He seems to be having a ball, while their housekeeper gleefully announces that she's leaving town on a three-week vacation. Whether or not she'll be back is anyone's guess. Then there is the grocery errand boy who has a crush on the lovely Katherine Ross. He pops in and out of the house at the most inconvenient of times.

Outshining every other performer is none other than the great Simone Signoret (Diabolique), who enters the young couple's lives one day, and soon, the "games" begin - mind games if you will. The kind that put those in Who's Afraid of Virgina Woolf to shame. Real guns are used, and there's real danger. To her, pinball games are mere child's play.

There are some plot twists that are better left unsaid so as to not spoil anything. I was really surprised at the outcome of everything, and wasn't expecting what was going to happen. A few of my theater companions found the movie predictable, as did Roger Ebert in his review of the film.  But for the most part, the film had me in suspense. One scene involves a cat who had me thinking it might do something that may or may not happen. You'll have to see the movie to find out.

A mind-bending thriller that you will not soon forget. Directed by Curtis Harrington.

Thief (1981)

Directed by Michael Mann. James Caan plays a diamond thief who wants to pull one last job before he retires for good.

After spending over a decade in jail, the last thing he wants is anything to backfire.

Willie Nelson has a small role as his mentor who is still in jail.

Caan also wants to settle down (with Tuesday Weld) and adopt a baby, but gangster Robert Prosky steps into the picture and assumes to control his life. But not for long...

Filmed in Chicago.

Silent Movie (1976)

This is my favorite Mel Brooks which I recently re-watched. It takes place in contemporary (mid-70s then, of course) Los Angeles/Hollywood. However the main gimmick of the film is that it's "silent" without any  dialogue. Retro "title cards" are used throughout.

Watch the trailer:


The simple plot: has-been director Mel Funn (Brooks) trying to make a comeback with a new idea for a film: modern-day SILENT MOVIE. He pitches it to a studio boss (Sid Caesar) who is a little skeptical until Funn gets major Hollywood stars to sign up (leading to hilarious results). Among them: Burt Reynolds, Anne Bancroft, Liza Minelli, and James Caan. He even tries to get legendary French mime Marcel Marceau to sign up; in one humorous scene, he calls him in Paris to ask if he'd like to be a part. Marcel responds, "No!" in the only spoken word of dialogue in the film.



Everyone hopes the film will be a hit except for a rival studio who wants the film to fail. The rival studio even sends out a sexpot nightclub dancer/singer (Bernadette Peters) to distract Mel Funn and his bumbling associates (Dom DeLuise and Marty Feldman). The hilarious film is filled with sight gags that will remind you of the classic slapstick comedy you enjoyed in silent movies of an earlier era.

Even making an appearance is Paul Newman, playing (and mocking) himself. When we first see him in the film, he is in a hospital recovering from a broken leg after one of his famous car races, and we see him in a motorized wheelchair. Mel & Co. sneakily track him down, and this leads to a hilarious wheelchair chase, complete with a little Ben-Hur homage. I could also mention several more scenes, but I don't want to spoil it all. See the movie! I highly recommend it.



POSTSCRIPT:

Mel Brooks was chosen to be one of the 2009 Kennedy Center honorees. The ceremony is an annual gala where 5 American showbusiness legends are awarded lifetime achievement medals from the Kennedy Center, a performing arts center in Washington DC. The President attends, and it's always a grand affair. A well-deserved honor for the Oscar-winning filmmaker. No less than three of his films are usually regarded among the funniest of all time : The Producers, Young Frankenstein, and Blazing Saddles.

Watch a clip from the Kennedy Center tribute: