What always confuses me in Dick Tracy (1990)

Fair warning: this post contains spoilers about the movie. 

I recently re-watched this movie for maybe the 10th time. I really love watching it; it's one of the coolest looking movies ever. Every scene is made up to look like a comic strip and everything visually about it is incredible. I first saw it when I was 14 years old in the theaters when it came out and was impressed by it so much I probably rented the VHS and DVD copies 2 or 3 more times, and later bought the DVD and then upgraded to blu ray where the picture quality looks fantastic. It's also a good movie to watch near or around New Year's Eve since the big climax of the film takes place on New Year' Eve.

If you've seen the movie you know it contains numerous storylines, including the orphan "The Kid" who wants to be on the police force, Tracy's relationship with his girlfriend, the new crime lord of the city (Al Pacino) and the corrupt district attorney (Dick Van Dyke) - a part that is too small; I think it could have been larger. 

Another subplot involves the rival crime lord "The Blank" - these sequences always confuse me when I think about them. At first, the Blank wants to obtain a percent of Big Boy's profits in exchange for immunity, but then the Blank changes his tune and wants to frame both Tracy and Big Boy. Alot of these details went over my head when I was 14 years old and to this day I still have trouble following The Blank's part of the story as it is told in the movie. 

If you've seen the movie, you know that Madonna/Breathless is revealed to be The Blank. 

But every time I rewatch the movie with that knowledge, the subplot is still puzzling.

This is either brilliance on the part of the screenwriters and director Warren Beatty.....or it's choppy editing that leaves out some details. I don't know which. 

The movie as it plays out gives the viewer the impression that The Blank is a mysterious rival villain who wants control over Big Boy and his criminal empire, when in reality The Blank is Breathless' way of protecting herself.....or maybe becoming a criminal crime kingpin of her own.  In my opinion I think the film should have revealed Madonna to be the Blank much earlier in the film. For example, show a scene of her putting on the mask, and dressing up. I think that would make the film much more interesting and less confusing. The first time we see the Blank, the Blank wants 10 percent of Big Boy's profits. Ok I think I follow the motive there - Breathless hates Big Boy and that is made clear. So why not give Breathless' character some extra weight--make her true identity known to the viewer, but not to Big Boy and Tracy. 

As the movie plays out, The Blank promised that Big Boy would be off the hook as a suspect in anything that would happen to Tracy if BigBoy makes the deal. But he doesn't make the deal. So what was The Blank planning to do with the money? Leave town? And what was Breathless planning to do if she successfully seduced Tracy? Testify and/or let Tracy in on the Blanks's scheme?  

Once Breathless/the Blank is rejected by Tracy, I can see why she wants both of them out of the way. And with the money she's made as the Blank, she could leave town. That would be one way to explain it.  So here's what ends up happening - The Blank frames Big Boy by kidnapping Tracy's girlfriend and placing her in the attic of the club, making it look like he kidnapped her. And she frames Tracy by killing the District Attorney and making it look like Tracy did it, but also making it look like Big Boy framed Tracy. If it worked, she would take the money and run? It's a brilliant scheme, but it was really confusing to pick up on the first watch.

What do you think? Is this how you understand The Blank? 

All Fall Down (1962)

This is a movie I wanted to watch for a long while mainly to see an early performance by Beatty (3rd movie) and the other performances. It has a great cast with Angela Lansbury, Karl Malden, Eva Marie Saint and Brandon de Wilde (the main character, though not top-billed).

It's an OK movie. Not exceptional, but still has good performances. 

deWilde plays a teenager (age 16) and plays the part pretty well--he's naive, idolizes his older brother (Beatty), and then slowly becomes disillusioned as the movie progresses. 

I know what it's like to idolize a relative like that, and then realize he's not so perfect and not right all the time, so I liked that aspect of the film. I also think Lansbury does a great job showing how overbearing and manipulative her character is. 

Lansbury and Malden play characters with differing political and religious opinions (he's liberal, she's conservative....he's a socialist and she's capitalist....she's a churchgoer, he's not....). I found alot of their interactions to be really interesting. In one sequence, Malen invites some homeless men over for a Christmas dinner. Lansbury wants them out of the house so she pays each of them ten dollars to get out.

There's an interesting scene where deWilde chops up some vegetables and mixes them together in a blender to make a healthy smoothie; I can't remember the last time a character in a film did that so that was a cool part. 

I read somewhere that when this movie was being filmed in 1961, Beatty's first two movies had not yet been released (Splendor in the Grass & Roman Spring of Ms Stone). He had only been known for television work, for dating Natalie Wood, and for being Shirley Maclaine's brother.

I liked the scenes with the two brothers together; I felt convinced that they were related and that deWilde idolized him. In the movie, deWilde is constantly writing in his journal, and I wondered if that indicated he would be a writer in the future, and if the writer of the original novel - James Leo Herlihy - based the character on himself. 

After watching this movie I was intrigued by the entire making-of process.  I wondered how faithful it was to the original book, and was curious about John Houseman producing it and that whole process.

If only DVD commentaries and special features were around in 1962.

Regarding the title, I think it should be called "Berry-Berry", since everyone says it over and over and over and over and over and over and over and over and over again.  

Bonnie and Clyde (1967) and the real Blanche Barrow

It's been 50 Years since the release of this film. Its starts -Warren Beatty and Faye Dunaway - have been receiving some attention lately for their recent Oscar Awards appearances. Bonnie and Clyde has always been one of my favorite movies ever since I was in high school and first watched it on TV.  I always enjoy the visual style of this movie - the close-ups, editing and dialogue (influenced by the French new wave), the music, and the performances.

On my latest rewatch, I became very interested in learning more about the real Buck and Blanche Barrow. In the film, Buck is played by Gene Hackman and Blanche is played by Estelle Parsons.

I went to my local library to see if I could find anything about them, and I found a biography written by Blanche Barrow called "My Life With Bonnie and Clyde". It's a fascinating book with a detailed chronology, photos, and dozens of pages of references and notes.

The real Blanche, who died in 1988, also had a few interesting things to say about the famous 1967 movie and about the actress who played her, Ms Parsons.

Also interesting to learn from the book is that that Blanche Barrow's name was never used in any of the other previous movies about Bonnie Parker and Clyde Barrow, such as You Only Live Once (1937), They Live By Night (1949), Gun Crazy (1949), or The Bonnie Parker Story (1958).

Some other takeaways from the book -

• Producer Warren Beatty wanted to use her name in the film and had to ask her for permission; she agreed to meet with him at her lawyer's office, and she read the script. After approving, she signed a contract allowing her name to be used in the film.
• One of Clyde's brothers visited the set one day, and jokingly said to Warren Beatty and Gene Hackman, "Howdy there, brothers!"
• Beatty came to Blanche's house a few times to visit and played the piano.
• She did not like the finished movie (claiming the script was rewritten), and said of her portrayal: "That movie made me look like a screaming horse's ass!"

Blanche never wanted media attention after the movie, yet she did ultimately make money from the movie's success.

Bonnie and Clyde (1967)

This has been one of my favorite movies since I was in high school, and I try to watch it every few years or so to see something new in it that I hadn't noticed before. Warren Beatty and Faye Dunaway star as the title characters. Arthur Penn directed. Released by Warner Brothers. Clyde Barrow and Bonnie Parker were notorious real life bank robbers in the early 1930s and constantly on the run from the law; this movie depicts their story.

I remember seeing Oliver Stone's Natural Born Killers when it came out in 1994, and remember some comparisons to this film. But that film had a different tone, and was trying to tell a different story, I feel.

What I like about this film is that its a very hip, groundbreaking late-60s movie, as well as anti-establishment/anti-capitalistic/anti-banks - and very violent in its time. And its box office success paved the way for directors to be explicit in they way they show sexuality and violence in films, such as "Midnight Cowboy" and the "The Wild Bunch" in the following years.

 All of the principle members of the cast were nominated for Oscars for their roles, including Gene Hackman enthusiastically playing Clyde's brother Buck Barrow, who tags along with them on their crime spree through the south for a short while. In between the robbery-and-shootout scenes is a romance - Clyde and Bonnie, escaping the real world through crime, and always talking/arguing about their future plans together as a wealthy couple, which never happens.

Also starring Dub Taylor who went on to co-star in aforementioned "Wild Bunch". Here he plays a kindly old father of one of the crime duo's recruits (Michael J. Pollard). Estelle Parsons plays another recruit.  The film's cinematography, costumes, and sets recreate the days of the depression. A good scene shows the characters going to the picture show to watch "42nd Street" - and showing the famous "We're in the Money" sequence.

The real-life couple's poses for photographs and a poem that Bonnie Parker wrote and published while they were on the lam - are all depicted in the movie. I have always loved the great car chase scenes, the banjo-picking score (including "Foggy Mountain Breakdown"), and the humorous cameo by Gene Wilder - whose car is stolen by the "punks". Also co-starring Denver Pile as a local sheriff who does them in.

Read Blondie's post on Bonnie and Clyde from October 2009.